TWENTIETH

8pp., 4to. With illustrations of some covers. Unbound. In good condition, lightly aged and worn. Begins with L. Leslie Brooke's 'Nursery Rhymes', 'The daintiest edition of the classic rhymes of childhood' ('This line will prove the exceptional merit of the higher-class books for children of entirely British production now being issued. ver 20,000 volumes have been subscribed on publication.' Two pages advertise 'Lawson Wood's Picture Books'.

24pp., 12mo. Yapp-bound in brown-paper printed wraps. Stapled. Very good. Printed in brown ink on glossy paper, with one book per page, each with an illustration of the cover. Begins with 'The Wonder Book | (Fourteenth Year of Issue.)' and ends with 'Animals All | By Ellen Velvin'. Includes four works illustrated by Margaret W. Tarrant, including 'Alices Adventures in Wonderland'. Scarce: no copies traced, either on COPAC or on OCLC WorldCat.

8pp., 4to. Illustrations of covers on every page. Stapled. In good condition, on aged paper, with rusted staples. The cover (with a central photograph depicting the covers of eight titles) is headed: 'Order Form. | A New Series of Children's Toy Books. | The Publishers offer in this new series one of the most striking and original Coloured Toy Books ever published. They will please little children. | These Toy Books will command an immediate sale in any part of the country. They are not expensive.' In right-hand margin of cover: 'A Selection of 49 Titles'.

Both items in good condition, lightly-aged. ONE: 'Nisbet & Co., Ltd. Juvenile Order List'. 4pp., folio. Bifolium. Blue addendum slip tipped-in onto front cover. Divided into 18 sections, including 'The Schoolgirl Series', 'Little Picture Books' and 'The Dominion Library'. With a heavy emphasis on R. M. Ballantyne, with four sections titled: 'R. M. Ballantyne's Famous Stories for Boys | The Copyright Edition', 'R. M. Ballantyne's Tales of Adventure', 'R. M. Ballantyne's Stories | Crown 8vo' and 'R. M. Ballantyne's Stories | Crown 8vo. Picture Cover'.

75pp., thin 8vo (24.5 x 12 cm). Stapled, with red addendum label dated 'July, 1919' tipped in onto front cover. At head of cover: 'Over 100 new titles'. Extensive and businesslike catalogue, with illustrations of some front covers. Begins with series of eight 'Fine Art Editions', including A. E. Jackson's illustrations to 'Alice in Wonderland'. Ends with 'Picture Post Cards for the Little Ones' and 'Puzzle Boxes'. Scarce: no copy of this item on COPAC, and the only entry for any year a copy of the 1925 issue, at the British Library.

72pp., thin 8vo (24.5 x 12 cm). Stapled, with red addendum label dated 'July, 1918' tipped in onto front cover. Extensive and businesslike catalogue, with illustrations of some front covers. Begins with series of eight 'Fine Art Editions', including A. E. Jackson's illustrations to 'Alice in Wonderland'. Ends with 'Picture Post Cards for the Little Ones', 'Puzzle Boxes' and 'Scripture Jigsaw Puzzles'. Scarce: no copy of this item on COPAC, and the only entry for any year a copy of the 1925 issue, at the British Library.

1p., 4to. In fair condition, on aged and spotted paper. A convincing copy of a genuine typed letter, with Milford's signature and the letterhead in black ink, and the typewritten text in purple. 25 lines of text in three paragraphs. An interesting glimpse into the state of the British publishing industry in the period immediately following the First World War.

8pp., 8vo. Unpaginated. Stapled and unbound. In fair condition, aged and worn. Foreword on 'The Raymond Mander and Joe Mitchenson Theatre Collection', and 'Introduction to the Exhibition by Raymond Mander & Joe Mitchenson'. The body of the pamphlet is taken up by a list (52 items) of 'The Plays of George Bernard Shaw in order of writing'. The final page lists the five films of plays by Shaw, with a photograph of Mander and Michenson. In manuscript at head of front cover: 'With Compliments | Raymond Mander & Joe Michenson'.

On one side of a piece of 10 x 20 cm paper. In fair condition, lightly aged, with a little water spotting. An attractive item, laid out like a traditional cheque, with lower panel coloured in pink. Box to left reads: 'The Comrade | The Official Organ of The Comrades of the Great War | for Liverpool and West Lancashire | Published Monthly at 35 Church Street Liverpool. | Subscription Rate 5/- a year, post free | Single copies <?> | Advertising Rates on application | F. Bulkeley Hughes, Editor.' The cheque proper reads: 'No. A1000 Liverpool - 19 | To Any Advertiser in "The Comrade" in 1919.

All items in fair condition, on six pieces of lightly aged and worn paper. ONE: Black ink pencil drawing, signed in bottom left-hand corner '"King Lear" | Peter Ustinov'. On 38 x 27.5 cm paper. Striking caricature of a hawkish and hairy Lear, eyes blazing, clutching his crown in his right hand while a courtier looks on from the bottom right. TWO: Black ink drawing, captioned by Ustinov at bottom right 'Carlo Goldoni'. On 38 x 27.5 cm paper. A head and shoulders portrait of a bewigged Goldoni, staring impishly to his right.

Watson's translation of 'La Cantatrice Chauve' (1950) was first published in London by Calder in 1958, and his version of 'Le Salon de l'Automobile' (1951) by the same publisher in the fifth volume of Ionesco's plays in 1963. The two scripts typed in uniform style, on rectos of leaves, and stapled together. ONE: 'The Bald Prima Donna'. 19pp., 8vo. In good condition, on aged paper, with somewhat-appropriate child's markings in black ink on blank parts of first page.

Letter: 1p., 8vo. In fair condition, on aged and worn paper. 34 lines of text. A playful (stoned?) communication. He thanks him for 'giving me the Sahara right up to the North African Coast', and explains his plans for making the area 'fertile by piping into it water from the Mediterranean'. He asks him to forward 'photocopies of this letter' to Alec Natas ('a very powerful electrician'), and to Linda Talbot. There are also references to 'Marion', Ivan Katzen, 'Lord Levy' and 'the Imperial Dentist, Sol Philips'.

In his obituary in the Independent, Lane was described as 'one of those writers whose published oeuvre is only matched by the supreme fiction of their own existence'. The present two pieces, both unpublished, date from his time studying theatre design at Wimbledon Art School, before 'launching himself across the globe, seemingly supported only by his verbal brilliance, good looks, perfect wardrobe and genius to amuse'. ONE: '"ANAGRAMS [no closing quotation mark] | A One Act Play - by Simon Lane'. [3] + 19pp., 8vo. Duplicated typescript on loose leaves held together by paper clip.

5pp., 4to., with the last page a double-page fold-out on card, mainly comprising a table. Unbound. In fair condition, on lightly aged and creased paper. Stamp of the Leplay House Library in the top right-hand corner. 'SPECIMEN ISSUE' printed in the top left-hand corner of the first page. The full article is titled 'International Comparisons of the Purchasing Power of Money', with headings: 'Sources of Data on Prices', 'Other Sources', 'Re-Calculation of Purchasing Power of the £ in I.U., 1938', 'International Comparisions of the Purchasing Power of Money, 1946-47'.

The two letters each 1p., 4to. Both on aged paper, with wear to left hand margin causing loss to text. In the first letter Lent gives details of 8 of his 17 purchases on that day, adding that 'The Lots sold quite well, a good many co are here, also Bowes, Blackwell, Mc Leis Taylor (Scheurer). Edwards, Pickering & E. Mathews, have marks.' In the second letter he gives details of 5 of his 10 purchases, one of them for 'Mr Butterwick'. He gives details of three commissions which Butterwick left with him, only one of which was successful. Catalogue: 31 + [1]pp., 4to.?>,>?>

43pp., 12mo. In grey printed wraps. In fair condition, on lightly aged and worn paper. The three papers are titled: 'The Effect of the Rise of Air Power On War (October 1943)', 'The Principles of Air Power in War (May 1945)' and 'Air Power and National Security (August 1946)'. Scarce. No copy at the British Library, and the only copy on COPAC at Cambridge University, with a further two copies on OCLC WorldCat.

223pp., 8vo, of typescript, with additional manuscript page: 'Carbon Copy | Spanish Holiday | by | R. G. Dixon | during | May-June | 1960.' Typed single-spaced, with occasional minor manuscript emendations. Each page on a separate leaf, the whole held together by a metal clasp. In beige card folder with the following on inside cover: 'R. G. Dixon | April Cottage | Fernlea Close | Ferndown | Dorset'. The front cover of the folder carries part of a label from the previous use of the folder, providing a clue to the author's itentity: '"D" Co[mpan]y. Towcester Batt[ery]: | Home Guard.

2pp., 12mo. 33 lines of text. The first paragraph reads: 'Dear Miss Last: | I'm afraid I can't give you first-hand help on the choice between [Frank] Harris and [Hesketh] Pearson on Wilde - ignorance, madam, sheer ignorance. But I consulted a friend who is interested in Wilde and knows the literature well and he says that you should not accept either without the other, that they each offer views that are necessary for an attempt to get the figure of Wilde in reasonable view.

1p., 4to. In good condition, on lightly-aged paper. He thanks him for his reply to his 'plea for assistance in connexion with the possible publication by a foreign press of my history of Plague'. He had 'no intention' in writing 'of soliciting any financial aid from the Society, because any such solicitation would have been an impertinence on my part.' He would need £20,000 to have the book 'privately printed by one of the smaller English presses, such as Messrs.

Both prints black and white, and in good condition. The portrait shot is 14 x 9.5 cm, on grey card backing, within a 30.5 x 20.5 cm folder of the same grey card, printed with the name and address of the firm. The image depicts the head and shoulders of a moustachioed Hall, who is glancing to his left side with a faraway look in his eyes, while smartly dressed in dark jacket and waistcoat.

[2] + 44pp., 8vo. In lilac paper wraps with title in silver on front cover. Internally in good condition on lightly-aged paper; in worn wraps with creased corner at rear and small square of staining from label on front cover. Inscribed on front pastedown: 'With best wishes | from | Virginia Graham. | 1946.' A charming collection in Grenfell mode, with poems including 'Café Triste' (beginning: 'Miss Tomkinson, do you suppose | That you and I | On this same day next year | Will still be sitting here, | Eating this vegetable pie | Covered white glucose?') and 'V J Day' (beginning: 'Hurray!

All four items in good condition, lightly aged and worn. All four in a bold, expansive hand. The two letters accompanied by their envelopes, addressed to Child in London. Letter One: Address: 'c/o Mr & Mrs G. W. Williams, | 615 East Genesee, | Saginaw | Michigan. U.S.A.' 4 July 1957. 4pp., 4to. She is 'on the first lap of my Vacation' and has asked 'Anne' to contact him. 'During the University year I am so frightfully taxed for time - my own correspondence and my personal affairs suffer in consequence and are perforce relegated to the background.

Collection of six items of printed sheet music of piano pieces. In good overall condition, on lightly aged and worn paper. All published by The Frederick Harris Company, London (Item One at 89 Newman Street, Oxford Street; Items Two to Four at 89 Newman Street; and Items Five and Six at 40 Berners Street). All items excessively scarce, with COPAC only recording one copy (at the British Library) of Items One, Two, Three and Five; two copies (British Library and Trinity College Dublin) of Item Four; and no copies of Item Six. ONE: 'Now Sleeps the Crimson Petal. Song .

Both items in good condition, lightly aged and worn. Excessively scarce, with COPAC only listing one copy (at the British Library) of both items. ONE: 'An Irish Cradle Song. Words by W. B. Yeats. From Poems by W. B. Yeats, published by T. Fisher Unwin'. [1914.] 5 + [1]pp., folio. Title page carries the gaelic motto: 'Goth yani me von gilli beg," | "'N heur ve thu more a creena"'. TWO: 'The Lake Isle of Innisfree. Words by W. B. Yeats'. [1917.] 5 + [1]pp., folio. Illustration of tree on bank of lake on front cover.

The collection comprises a large collection of autograph sheet music, together with copies of nine published piano pieces. Accompanying the collection is an autograph note by Sheena Tennant's son Hugh Kendall: 'These books, with accompanying score sheets, represent something rather unusual - the compositional examples of my mother, aspiring as she did to be what she saw herself as - one of the first women composers.

Both prints black and white, and in good condition. The portrait shot is 14 x 9.5 cm, on grey card backing, within a 30.5 x 20.5 cm folder of the same grey card, printed with the name and address of the firm. The image depicts the head and shoulders of a moustachioed Hall, who is glancing to his left side with a faraway look in his eyes, while smartly dressed in dark jacket and waistcoat.

In good condition, lightly-aged, with thin strip from stub to one edge of address side of card. Message reads: 'It will give me great pleasure for you to copy the 2nd. volume of the Torch-Bearers, as you suggest, for the Blind. | With my best wishes, | Alfred Noyes.'

Both items in good condition, on lightly-aged paper. Both 2pp., 12mo, on bifoliums. ONE: 6 January 1902. Attempting to rearrange an appointment from morning to afternoon, and giving news of a lost penknife. TWO: 20 February 1902. With Richards's dated receipt stamp. Requesting that a copy of his book 'Liberalism' be sent to 'C. P. Lucas, Esq., Colonial Office, Whitehall'.

10 x 13 cm envelope. In fair condition, aged and worn, with damage and loss to back flap.. Asquith has written out the address as follows: 'Quintin Hogg Esq | 5 Cavendish Square | W'. The last two lines have been crossed out, and the address amended in another hand to '56 Westbourne St | West Brighton'. The front of the envelope has a square London postmark in black ink, and circular frank in red; the rear has two more postmarks (one London and the other Brighton. The flap has 'Home Office | Whitehall' printed on it.

1p., on 20.5 x 8.5 cm slip, headed by the Prime Minister's official letterhead. Sayer's apology is headed 'Mrs Attlee', and she writes that she feels she 'must apologise in writing for the mistake I made over the arrangements for giving your two seats to the Misses Trevor', hoping that it did not cause inconvenience and promising not to do the like again. Violet Attlee's reply, headed 'Miss Sayer', is at the head of the letter: 'Please don't worry. It is quite a relief to me to find that somebody besides myself makes mistakes! | W H A 30/3'.