VICTORIAN

Printed on one side of a sheet roughly 395 x 250 mm. Good, on lightly aged and creased paper. Text clear and entire. At foot: '(16611-21.) Wt. 6705-99. 325. 6/10. D & S.' Fifty-two entries, beginning with 'Cambridgeshire, Wisbech', each with columns for the years 1902 to 1909 of 'Numbers of Casuals relieved in the Workhouse', and with a final column headed 'Two Nights' Detention System enforced or not.' Totals given for each county, and a final 'Total of the District'.

12mo: 8 pp. Leaf dimensions 18 x 11.5 cm. Unbound. Stitched as issued. Good, on lightly-aged paper with foxing to first page. Complete: paginated [1] to 8, and with 'Finis.' at the end.

All items with text clear and entire. Item One: offprint, on one side of a piece of wove paper 25 x 18.5 cm. Good, on lightly-aged paper with some wear to extremities. Headed 'AQUAECULTURE, And the Artificial Propogation [sic] of the Danube Salmon in Bavaria, BY DR. WIMMER. | Re-printed from the Macclesfield Courier June 27, 1857.' The letter, dated 'Landshut, 11th June, 1857', is addressed to 'Thomas Ashworth, Esq.' and covers two columns of small print. Item Two: four-page offprint, on all sides of a grey-paper bifolium, leaf dimensions 20 x 12 cm. Very good. Headed 'ON PISICULTURE.

Printed on one side of a piece of wove paper, dimensions roughly 30.5 x 11.5 cm. Good, on aged, and lightly spotted and creased paper. Clear impression above title of engraving (5.5 x 6.5 cm) showing a knight, dismounted from his horse, vizor down and shield on arm, combating with a dragon somewhat akin to a huge wild boar. At the foot of the item, beneath the last line of the poem, another engraving, 2.5 x 8.5 cm, showing two cherubs blowing trumpets into an arrangement of hour-glass and two sickles. Heavily worn type.

Bifolium on laid paper watermarked 'T. EDMONDS | 1841'. Printed in double-column on four paginated pages. Dimensions of leaf roughly 335 x 205 mm. Two footnotes on first page indicate that the item was printed before the event: 'Pipe-Wolferstan will walk instead of Pennington.' and 'Blomfield will walk instead of Bowden, p. 3.' The order of the procession begins with 'Mareschal BLACKER, | Dimsdale Mr. Curzon, mi. | Heywood ma. Heywood mi. | Borrowes Todd | Meyrick Lord Garvagh | Lore Moreton Philips'.

On one side of a piece of wove paper roughly 275 x 230 mm. Printed and manuscript text clear and entirely legible on worn, creased and grubby paper with one small strip of paper repairing reverse. Crest of City of London at head. Two sets of four columns, side by side. The four columns are: 'Ships at Market', 'QUALITY', 'Ships sold' and 'PRICE'. The whole of the 'QUALITY' column in the first set is headed 'NEWCASTLE', containing 45 entries from 'Adair's' to 'Walls End Walker'.

Dimensions of leaf roughly 16 x 10 cm. The removed title leaf of a book: aged, foxed, and with chipping and short closed tears to the edges. The inscription reads 'John Franklin Junr. | from The Author.'

At foot: 'PRICE ONE PENNY.' On one side of a piece of wove paper, roughly 220 x 170 mm. Enclosed within decorative border. Foxed and creased, with edges trimmed to edge of border. Thin strip of card mound adhering to one edge of reverse. Text clear and entire. Printed in two columns employing characteristically Victorian typography. Twenty-six four-line stanzas (the last two being the 'MORAL.'). Begins 'When down at Blackpool last July, and walking on the Pier, | I met a pretty maiden, so I said "How do my dear?" | "What do you here, love, by yourself? How is it you're alone?

Printed on one side of a piece of stiff art paper (shiny on printed side, matt on reverse), dimensions roughly 245 x 160 mm). Very good. The name of the firm is not stated, and dabs of colour in 3 mm margins as printing guide. Attractive and characteristic illustration, in eight (?) colours: dark brown, beige, green, red, pink, yellow, dark and light blue, showing a carriage clock surrounded by plate, jewellery (including a goblet, a fan, a pearl necklace, a fob watch, decanters) and a profusion of flowers. The calendar in twelve tiny squares, six at the head at six at the foot.

12mo: 1 p. Ten lines of text. Bifolium. Grubby, and with the text of the letter faint. Letterhead printed in red with illustration of the firm's headquarters. Written in, or faded to, lilac, and could well be a carbon. Sending copies of the two newspapers as 'we think it probable you would like your newly published works noticed or reviewed' in them.

12mo: 24 pp. In original pink printed wraps: the front wrap bearing the title; the recto and verso of the rear carrying newspaper reviews of works by 'Scribble'. Stitched. On aged and spotted paper. Wraps heavily worn. A worn presentation inscription can be made out at the head of the title: 'Dr <?> With the Authors Best regards'. Pp.1-2: Introduction and Author's Preface (the latter dated 'Dublin, May, 1864.').

Dimensions of paper roughly 10.5 x 4.5 cm. Two edges straight and two rough. Aged and grubby, with a 3 cm closed tear (repaired on reverse with archival tape), extending from the right and affecting the last two letters of Cruikshank's bold signature, which is 7 cm long and initially 3 cm high, with the final 'e' of the Christian name in superscript and the surname underlined in a backwards stroke continuing the final letter. Neatly mounted on a piece of card (roughly 9 x 14 cm) and presented in a plastic sleeve.

On both sides of a piece of wove paper, dimensions roughly 8.5 x 20 cm. Cruikshank's signature is approximately 9 cm long, with the final letter of his Christian name in superscript. Paper aged and creased, with central vertical fold, and wear to one edge (not affecting text). Recto reads '<...> in the interim - | That 2 door Mats be ordered for the use of the Society | Adjourned till Thursday 7th June - | [signed] Geoe Cruikshank | Monday June 4. | General Meeting of the Society | Mr Parsonage in the Chair.

8vo: 1 p. 14 lines of text. On aged and spotted paper, laid down on a piece of card, and with the head of the letter (not affecting the text but causing the loss of the top half of the letterhead) worn away. Originally a 2-page 12mo bifolium, but with the text from the second page laid down below the first.

On a piece of laid watermarked paper roughly 11.5 cm square. Good firm underlined signature, about 8 cm long. On aged paper, with pin holes above and below, and a vertical fold about 1 cm above.

12mo: 1 p. Good, on aged and lightly-ruckled paper. Text clear and entire. Difficult hand. Asks the recipient to 'allow the Bearer to see the L<?> Papers laid on the Table yesterday'. Also asks that the papers 'be printed as soon as possible as I shall mention them in the house'.

12mo: 2 pp. Twenty-one lines of text. Very good, on lightly aged paper. Admits that he has 'been very remiss in answering' Harford's 'kind note, and acknowledging the book which accompanied it'. 'I may be excused, for I am, indeed, overwhelmed by letters, interviews, meetings, & all sorts of business'. He will soon read the book, which he hopes will raise his spirits 'from the daily increasing wear & tear of body & mind, in these troublous times in which we live'.

16mo (11.5 x 9 cm): 1 p. On aged paper with a diagonal crease towards top right-hand corner. In a shaky hand. Reads 'With much pleasure I accept your hospitable invitation for Nov. 20, at 1/4 to 8; - and am | Very truly Your's | [signed] J. Doran'.

12mo: 1 p. Seven lines of text. Monogram in red in top left-hand corner. On creased and aged paper, with pinholes at head (not affecting text). Scan on request.

12mo: 1 p. Dimensions of leaf 11 x 9 cm. Twelve lines of text, headed 'P. 320'. In poor condition: grubby and aged. Laid down on piece of grey paper removed from autograph book. 2 cm closed tear in bottom left-hand corner affecting a couple of words of text. Difficult hand. Criticising a note, giving references to three works. Ends 'I don't see any use in printing this letter - but Sir F. Madden will tell you better. | JM -'.

8vo: 32 pp. Stitched. In original grey wraps. Text, four illustrations and map clear and entire. Printed on discoloured high-acidity paper. Lightly creased with a little wear to corners. Scarce. An attack on 'the Betting-offices that are springing up all over the town', with particular reference to those in the St Martin's Lane area. COPAC only lists four copies: at the British Library, Bodleian, Cambridge and Edinburgh; with two copies of the second edition: British Library and V & A National Art Library.

On a piece of paper roughly 5.5 x 13 cm. Good firm signature (8 cm long) on lightly aged and creased paper. Reads 'Faithfully yours | [signed] Marie Corelli'. Fragment on reverse reads '<...> education nowadays <...> hope you <...> induced to <...> estimable'.

12mo: 2 pp. Very good on lightly aged paper. Asks if it might be possible, as previously, to forward a packet to 'Mr. d'Abbadie': 'depuis deux ans je suis sans nouvelles de lui'. It is six months since he had the honour of forwarding a similar packet via the French legation at Lisbon. Good firm signature, but with the words '(Le comte de Montalembert)' in another hand beneath it, and interfering with the flourish (paraph).

Unbound, on six loose leaves folded to make bifoliums. Good, though grubby and with rough edges (particularly the head). Text clear and entire. 12mo, 24 pages. Cover features woodcut of eighteenth-century gentleman (Franklin?) leaning on stick. Sections on 'Swimming like a dog', 'To beat the water', 'To show both feet out of the water', 'To suspend yourself by the chin', etc. Scarce: Copac only lists copies at Glasgow and in the National Library of Scotland. Dated 1840-50 by the NLS 'from examination of text and style [of] Illustration on title page'.

12mo, 2 pp. Seventeen lines of text. On lightly aged and creased paper. Attractive arts and crafts letterhead. Sending his 'mosts profound sympathy in the danger which threatens Chelsea'. He will sign 'the paper [...] with the greatest of pleasure', although he anticipates 'very little good as a possible result'. Suggests a time at which the paper can be sent to him.

Octavo: viii + 201 pages. Good and tight, on aged high-acidity paper, with some chipping and a little light staining at foot. A few pencil marks. In original printed grubby and chipped wraps cloth-taped to spine. Front wrap annotated in pencil. Four-page introduction entitled 'A PLAYWRIGHT'S WORKING LIBRARY.' Even considering the importance and interest of the theatrical collection, the high point is undoubtedly item 102: 'BLAKE, WILLIAM. ORIGINAL DRAWINGS IN WATER COLOURS and INDIA INK by the celebrated WILLIAM BLAKE (Pictor Ignotus).

From the third son (1845-1917) of Baron Lionel de Rothschild to the noted botanist (1843-1928), Director of the Royal Botanic Gardens at Kew (1885-1905). Stamped, printed Post Office telegraph on discoloured high-acidity paper, roughly twenty-centimeters by thirteen centimeters. Mounted on larger piece of better-quality paper, also discoloured with age. Reads 'TO { Thiselton Dyer | Kew Gardens | Very many thanks Kind congratulations | Leopold Rothschild'. The reason for congratulations is unclear.

TWO COPIES, both octavo: iv + 158 pages. Several collotype plates, several in red and gold. In original green printed Sotheby wraps. Both items sound internally, with some wear to the wraps. One item has extensive pencil annotations to the front wraps, and the other has a few ink marks to the reverse, with minor wear to the last couple of leaves. Both catalogues partially priced with some names by the London booksellers Myers & Co. of New Bond Street, one on the second day of the sale and the other on the fifth.

Quarto. Unpaginated (circa 240 pages?). 1789 lots. Numerous plates. Good, in worn contemporary olive cloth binding, with black label. Front wrap, printed in black and red, bound in at rear. Most lots priced in manuscript. Many fine bindings, privately printed, association and Kelmscott Press items. Preceded by four-page Prefatory Note giving a resume of the collection.

All three items concern Littlejohns' 'British Watercolour Painting and Painters of Today' (London: Pitman, 1931)'. First Letter: 12mo, 3 pp. 43 lines. Text clear and entire. On two leaves attached to one another in a corner by a pin. Good, on lightly-creased paper. Interesting and informative letter concerning 'two watercolours' which Williams would 'like to be 'reproduced in [Littlejohn's] work on water colours'. Gives details of the titles of the works and the name and address of the owner, 'who has consented to send them'.