ENGLISH

8vo, 40 pp. Unpaginated. Stitched as issued. In original blue wraps. Fair, on lightly-aged and foxed paper, in grubby and stained wraps. The examination papers, covering fields including Latin, Greek and French; scripture; ancient and modern history; mathematics, chemistry and chemistry, cover 31 pp, and are of more than enough difficulty to support those claiming a decline in British educational standards. Also present are lists of the school's governors and masters, and of prize scholarship winners, with the last page giving the subject's for the following years prizes.

All items octavo, stitched and unbound. Page range between 16 and 32. Each catalogue carrying an illustration on the front cover. The condition of the collection is variable. All items on aged paper: some dogeared or with closed tears, and a handful with damp and other staining. Several catalogues annotated in a contemporary hand, and one with an entry cut out. Coleman's speciality was 'Heraldry, Genealogy, Topography', and the first three catalogues are headed 'Pedigrees!

On one side of a piece of paper, 9.5 x 7.5 cm. Very good, on lightly-aged paper. Minor traces of stub in thin strip along one edge. Reads 'Elderfield | Decr 19 | Dear Madam | The Story you mean is in the Christmas number of the Monthly Packet for 1877 | Yours truly | [signed] C M Yonge'. Docketed on reverse in a contemporary hand 'Miss Charlotte M. Yonge Authoress of The Daisy Chain etc. etc. etc'.

12mo, 1 p. Eleven lines of text. Good, on aged and dusty paper, with minor traces of mount adhering to blank reverse. The delayed reply is due to the fact that he only returned from the continent on the previous day. 'My fee for a full consultation Palmistry Psychometry & Crystal is £1 - 1 - 0'. As he is 'very busy', an appointment is necessary 'to avoid disappointment'.

16mo (13.5 x 9 cm), 1 p. On recto of first leaf of bifolium. Good, on aged paper. Traces of brown paper mount adhering to reverse of second leaf. Reads 'You & the young Ladies will be welcome whenever it suits you best. After 2 oClock you will be least liable to Interruption.'

8vo: 2 pp. 32 lines of text. Good, on lightly-aged paper. He is willing to help Tomkinson with his book 'Modern Presses', but would not 'have time to be responsible for the writing of any chapters'. Offers to answer 'a questionnaire' regarding 'Flying Fame', and directs Jackson to his 'articles on the work of Lovat Fraser in the "Bookman", the "Fleuron", and "To-day".' Paragraph discusses the 'New Age Press', which 'was not a Press at all, but a publishing business'. In the last paragraph changes his mind, and offers to write a brief chapter.

The author identified as the 'Margravine of Anspach' beneath the signature in a contemporary pencil hand. 8vo, 3 pp. Bifolium. Fifty-five lines of text. Clear and complete. Fair, on aged and spotted paper, with remains of stub adhering to the reverse of the second leaf, which is addressed to 'Mrs. Jones'. A characteristic and energetic letter, reminiscent in tone of Jane Austen, showing why the Margravine was held in such high regard by Horace Walpole.

Dimensions 25 x 20 cm: [ii] + 87 pp, all on rectos. Bound in stained yellow wraps, with black tape spine. Well-thumbed, but in fair condition internally, tight, clear and complete. The names of the eight actors are added in pencil in the list of characters. In the first six cases only the christian names are given ('Dracula' is given as 'Alan'), but 'Professor Abraham van Helsing' is played by Andrew Turner, and 'Lucy Westenra' by Jannina Tredwell (who featured in a 1974 revival of the musical 'Hair').

On one side of a piece of laid paper, 25 x 17.5 cm. Text clear and complete. Aged, foxed and creased. Giving casts of the two plays (the first headed by 'Mr. Waddy' as 'Twineall'; and the second by 'Mr. Inchbald' as 'Don Antonio'. After the first cast list: 'End of the PLay, an Address in the Character of The Genius of Charity. To be spoken by Mrs. Sharpe.' At foot: 'Tickets too be had at W. Keymer's Printing-Office; and Places for the Boxes may be taken at the Theatre from Ten to Twelve o'Clock each Day.

4to, 2 pp. Bifolium, with each printed page on the recto of the leaf. Good, on aged paper. With part of the previous mount adhering to the blank reverse of the second leaf. Five objections are given, including the fact that the primer is 'unattractive in its present form'.

4to, 3 pp. Bifolium. On grey paper. Text clear and complete. Good, lightly creased and aged, with part of stub adhering. Highton's entry in the Oxford DNB makes no mention of the controversy surrounding his administration at Cheltenham, where he was headmaster from 1859 to 1862.

Printed on one side of a piece of wove paper, 20 x 12.5 cm. Good, on aged paper, with remains of mount adhering to the reverse.

Crisply printed on one side of a piece of laid paper (27.5 x 15.5 cm) with watermark 'C ANSELL | 1854'. Margins trimmed. The Christ's Hospital crest at head. Fair, on lightly-aged paper, with minor evidence of previous mounting on the reverse. Twenty-six lines of text. Addressed to 'Worshipful Sir', who has been 'Nominated, Approved, and Appointed a Governor of CHRIST'S HOSPITAL'.

Both items would appear to date from around the same period. ITEM ONE ('Entrance Scholarships.'): On one side of a piece of paper 21 x 13 cm. Good, on aged paper, with slight loss to one margin, and part of leaf on which it was mounted still adhering to the blank reverse. Laying out the details in six sections. Signed in type at foot: 'H. MONTAGU BUTLER, | Head Master.' ITEM TWO ('Form'): On one side of a piece of paper 18.5 x 11.5 cm. Good, on aged paper, with part of leaf on which it was mounted still adhering to the blank reverse. Numbered from 1 ('Psalm.') to 11 ('The Blessing.').

Total 5pp., 8vo, one sl.marked but mainly good condition. [March 23] He commiserates on "domestic troubles" and says what a disaster it would have been if the completion of a picture had been delayed. "You will be sorry to hear that I am confiend to the house with varicose veins in the leg. The trouble has arisen through bicycling, a maniac of the wheel having induced me to scorch over half a county with him. I am consequently obliged to give up the treat I promised myself in seeing your pivture at your studio but I mean to ahe- honour the Academy with a visit . . .

8vo, 1 p. Nine lines. Text clear and complete. Fair, on aged and lightly-spotted paper, lightly-creased and with small closed tears at edges of central crease. From the context of other items in the same collection, this letter relates to an 'Artists general Benevolent Banquet' (for which Dollman was acting as steward). Hassall writes that the previous year he 'got into trouble through giving subscriptions to stewards of other society's than the R[oyal]. I[nstitution].', so that 'if there's to be an R. I. table this year I must support it for all I'm worth'.

12mo, 1 p. Eight lines. On lightly-aged paper with creasing to head and part of stub from autograph album adhering to the reverse.

Two pages (but large handwriting), 8vo, conjoined leaves, good condition. "I write to thank you most sincerely, for your kind letter about my picture. I think it was very kind indeed to trouble to write. I appreciate it very much."

On piece of paper roughly 2.5 x 7.5 cm. Mounted on piece of 7.5 x 13 cm card. In fair condition, with both card and paper aged and slightly discoloured. Good firm underlined signature ('W E Gladstone'). The card carries the following caption, in a contemporary hand: 'Autograph of | The Right Honorable William Ewart Gladstone, M.P., | Premier Minister and | Chancellor of the Exchequer.'

Part of a letter, cut away for an autograph collector, roughly 5.5 x 10.5 cm. The recto carries the franked address, trimmed close, reading 'London July twenty 1835. | Roundell Palmer Esq | Mixbury | Birmingham [corrected in another hand to 'Magdalen Colle | Oxford'], signed in bottom left-hand corner 'W E Gladstone'.

Printed in double column on both sides of a wove piece of paper, 44 x 28.5 cm. Clear and complete. Very good, on slightly-aged and grubby paper. In a variety of types and font sizes, but mostly in small print. The whole clearly laid out for folding as a packet. Includes a description of Dorrington's business, in which he boasts that his is 'The Cheapest Establishment in London for Wood Engravings', supplying 'Lithography in all its branches, At lower charges than by any other Artist'.

Steel-engraving, on a piece of thick laid paper, 12.5 x 17.5 cm. Fair, on lightly-aged and foxed paper. Never mounted, and so with no glue staining or other marking to blank reverse. Depicts Camelford's armorial crest, flanked by two birds, with motto 'PER . ARDUA . LIBERI .' At foot, in copperplate, 'Camelford.', with 'C. Catton R.A. del. F. Chesham Sculp.'

4to, 1 p. On piece of watermarked laid paper. Thirteen lines of text. Clear and complete. Good, on aged paper, with thin strip of stub adhering to blank reverse. Docketed at head, in a contemporary hand, '331 | Lord Camelford for fac simile'. Camelford was not at home when Buchan called, but he 'will take care that his Lordship's Letter shall be transmitted to Mr Pitt [his cousin William Pitt the younger?]'. Pitt 'will doubtless feel himself flatter'd with his Lordship's testimony in favour of his abilities and fortitude'.

4to (22.5 x 19), 2 pp. Text complete in forty-three lines. On aged and stained paper, with wear and closed tears to extremities. The first three lines are 'This is the Bridge that was blown into air. | These are the Miners who had the care | Of mining the Bridge that was blown into air'. Three corrections in the same hand. The poem was printed in the Morning Chronicle, 24 November 1813, under the title 'Buonaparte's Bridge', and reprinted in 'The Spirit of the Public Journals for 1813', that version containing a couple of minor variations [authorial?] from the present text. A. M.

12mo, 4 pp. Bifolium. 58 lines of text. Clear and complete. On aged paper, with the outer pages grubby and stained. The delay in replying to Welford's letter is due to the fact that it 'fell aside in Edinburgh and did not reach my hands until lately'. 'I was engaged in a veryy subordinate capacity on Taits Magazine when the shilling series commenced - and for some years - and again had it as my own property from 1846 to 1850 and have had it again for some years; yet I do not remember having ever seen a notice in the Newcastle Chronicle'.

4to (22.5 x 18.5 cm), 1 p. Eighteen lines in four paragraphs. Text clear and complete, crisply printed in italic. On aged and grubby paper. Begins 'The lamented death of Mr. SMYTH having occasioned a vacancy in the Representation of our University, I am induced to offer myself as a Candidate for the honour of succeeding him in that distinguished situation.' He is 'unfettered by political engagements', and must forever feel 'affection and gratitude' for 'a Body, amongst whom I have passed some of the happiest and most profitable years of my life'. Hervey was unsuccessful.

8vo: 4 pp. Wih four pages of illustrations on art paper, the first being a full-page photographic portrait of Frink by Peter Collins. Stapled. In original blue printed wraps. Good, on lightly-aged paper. No copy on COPAC.

4to: 36 pp + 12 pp of prints on art paper. Stapled. In striking original printed red card wraps. With A4 addendum leaf loosely inserted. Good, with light stain to bottom outer corner. Important two-page introduction by Lewis, reviewing his career, followed by three-page essay by Rothenstein on 'Wyndham Lewis and Vorticism'.

Gallup C552. 4to (leaf dimensions 28 x 22.5 cm), 40 pp. Stapled. In original blue printed wraps. Worn and dogeard on aged paper, with minor staining at foot of front wrap and first leaf. The 'Calendar' at the front lists, on 4 July [1950], the 'Lecture by Mr. T. S. Eliot, O.M.: "What Dante Means to Me," with H.E. the Italian Ambassador in the Chair.' The printed version, titled 'TALK ON DANTE | by T. S. Eliot', is in small type, and covers pages 13 to 18, with p.12 carrying a full-page photograph of Eliot shaking hands with a smiling figure (presumably the ambassador).

12mo, 12 pp. With errata slip. Disbound. Good, on aged paper with small grease spot on title leaf. Shanks's piece is on pp.3-6, dated at end 'Boardmills, Sept. 2, 1861.' Stowe's piece is on pp.7-10. The last two pages (11 and 12) are by Shanks, dated 'Boardmills, September 12, 1861. Scarce: no copy in the British Library, and the only copy on WorldCat is at the University of Texas.