WILLIAM

12mo, 2 pp. Ten lines of text. Good. Asks 'upon what terms' he may 'publish some of the songs I have set from the charming volume you sent me'. He is 'acquainted with the Gentleman' to whom Bennett has dedicated his book: 'it was in his shop I was introduced to Longfellow'. Possibly referring to Bennett's 'A Sea Song' and 'The Sea-Boy's Dream', set to music by Hatton and both published in 1861.

8vo, 24 pp. Stitched as issued. Well printed on good laid paper. Creased and aged. A programme, describing, often in detail, the forty-six exhibits, in the various rooms, from 'Photographs illustrative of the Coronation Naval Review, 1902' by Dr W. J. S. Lockyer, to 'Examples illustrating the Scientific and Educational Applications of the Bioscope.' Exhibitors include Sir Oliver Lodge, Sir William Crookes, Rutherford and Soddy ('The condensation of the radio-active emanations of radium and thorium by liquid air.') and the Solar Physics Observatory, South Kensington.

On piece of paper 6 x 9.5 cm. Lightly-aged, and tipped-in onto front free endpaper removed from book. A simple design, within a restrained decorative border, consisting of 'William Barnes.' in gothic letters in an arch, centred above a wavy rule beneath which are the words (adapted from the Dream of the Rood) 'BEARNAS AER BEORNAS.' A contemporary note on the endpaper beneath the bookplate (transcribed in a modern hand above it) states that the item came from Barnes's Rectory Sale, 25 November 1886. Uncommon.

8vo: 30 pp. on sixteen leaves (including final blank). Unbound and stitched as issued. Text clear and complete. A scarce item (the only copies on COPAC at the British Library, Lambeth Palace and the Guildhall). On aged, worn and damp-stained paper, with chipping to extremities. Regarding the ' "rumours" alleged against' Ford and Chester ('in reality a definite statement made by a gentleman on the authority of Mr.

A bibliographical landmark: the first issue of the first volume in Pickering's series of 'Diamond Classics' 32mo: [ii] + 185 + [i] + [i]. Engraved frontispiece portrait of 'Horace' by R. Grave, facing engraved titlepage, which precedes the letterpress titlepage. On the reverse of the leaf with p.185 on its recto is a portrait of Sir Francis Bacon, captioned 'Advancement of Learning.' On the page facing this are the 'Corrigenda.' Tight copy, on aged paper, with a few dogeared pages, in contemporary black russia binding with boards and spine ornamented in gilt and title 'HORATIUS'.

2 vols, 12mo. Vol.1: viii + 264 pp. Vol.2: viii + 336 pp. Complete, with all the engravings of sheet music listed in the contents (vol.1: five two-page plates and one four-page plate, with one more piece of music 'printed with the letterpress'; vol.2: one two-page plate). Both volumes good and tight, on lightly-aged and spotted paper. In worn contemporary half-calf binding, marbled boards, with the first volume rebacked. Each volume with bookplate of Frederic Perkins, Chipstead Place, Kent.

12mo: 40 pp. Disbound. Good, on lightly aged paper. Contemporary ownership inscription of 'William Francklyn" on title-page. This edition is scarce: no copy in the British Library, and the only copy on COPAC at Liverpool.

First edition. 8vo: xii + 200 + [iv] pp. (the last four pages an unpaginated publisher's catalogue). In original blue cloth, gilt. Fair, tight copy, on lightly-aged paper, with some spotting to endpapers. Binding with dulled spine and minor spotting. Bookplate of the Rev. English Crooks. Binders ticket ('BOUND BY BURN & CO.') to rear pastedown. Half-title reads 'RURAL POEMS'. The 'translation' of the three collections beginning with 'Poems of Rural Life in the Dorset Dialect' (1844).

12mo, 2 pp. Bifolium with mourning border. 39 lines of text, 12 of which have been damaged, presumably on the removal of the item from an autograph album, which has resulted in a large hole to the upper half of the second leaf of the bifolium. Begins 'My Dear Mr.

All four items printed on both sides of a piece of paper roughly 57 x 25 cm, folded twice to make 6 pp, each 19 x 25 cm. Aged and a little grubby and creased. The second number with title printed in red, the third with title in green, and fourth with title in blue. Each with engraving of park with neo-classical buildings by William McLaren. No.1: poems by Lewis Spence, R. L. Cook, Joe Corrie, W. H. Hamilton, Alexander Buist, A. V. Stuart, Hugh N. Maclachlan, A. A. C. Blackie, Dorothy Margaret Paulin and Helen B. Cruikshank. No.2: poems by William Soutar, Alexander Buist, A. V.

8vo: 80 pp, paginated 13-92. Stapled. In original grey printed wraps. Clear and complete. On aged and spotted high-acidity paper, with rusting from staples. In worn and spotted wraps. 2 cm closed tears to back wrap and outer margins of last two leaves. Pencil note on inside of back cover that a copy of the same item sold by Hodgkins for £30 in March 1986. From the collection of the Scottish anarchist author H. T. Derrett, and with his ownership inscription and date on front wrap. Illustrated.

8vo, 1 p. Good, on lightly-aged paper. In response to a 'kind note', Samuelson informs Sonnenschein that 'the next number of our Review, which will appear shortly, is to deal with the Irish question'. He has 'a very copious list of publications' and although he would have welcomed Sonnenschein's assistance, he hardly thinks it is worth his while at the present time to trouble himself over the matter, 'for reasons which I will explain to you some day'.

12mo, 2 pp. Bifolium with address on second leaf. Twenty-five lines. Text clear and complete. On aged, spotted and repaired paper. A significant letter, confirming Bowles's hitherto-tentative authorship of the 'Letters of the Ghost of Alfred', which was printed by Wright in 1798. Bowles informs Wright that he will 'receive some Copies of ye. Ghost of Alfred' the following morning. 'The price [I conceive] should be only 2/6 in boards there being but about 130 pages including thhe advertisements'.

12mo (roughly 16.5 x 9.5 cm): 24 pp. Good, on aged paper, with slightly dogeared corners. No stitching or stapling binding the leaves together. An attractive production, more sophisticated than is usual with a chapbook. Crisply printed in small type. Title enclosed within a decorative border and containing vignette of the royal coat of arms. Headed, in a small neat contemporary hand, 'Purchased at Whitby. | 30 Aug 1862'. The poem 'Lines on the Fate of Lord Derwentwater' (pp.18-19, 24 lines in six stanzas) begins 'How mournful feeble Nature's tone, | When Dilston Hall appears;'.

The work of a cultured and witty man, but not by the author of 'Sandford and Merton', who died in 1789. While possible authors include the 'Mr. Thomas Day, solicitor, Woburn, Bedfordshire', whose death at the age of 47 on 18 February 1824 was reported in The Times (5 March 1824), and the Thomas Day who lived around this time at Montague Street, Russell Square, the most likely candidate, considering the references to 'Romney' and 'Wyatt' is the Thomas of 'DAY William, and Thomas Day, of No. 95, Gracechurch-street, in the city of London, oilmen', who went bankrupt in 1841.

INDENTURE OF 1672: 'ex[ecute]d. by Rich: Lighfoot Clerk to ye Trustees', on one side each of two large vellum skins. Wear at folds, affecting the occasional word or phrase. Docketed on grubby reverse of first skin. Borders in red, and with attractive hand-drawn Royal Crest within large initial at head. 'Betwene the right honourable ffrancis Lord Hawley Sr. Charles Harbord Knight his majesties Surveyor generall Sr. William Howard of Tandridge in the County of Surrey Knight Sr.

A specialist on Dickens and Tennyson, Cuming Walters was for many years a central figure in the literary life of the north-west of England. Shortly before his death (and as reported in The Times, 28 April 1932) he boasted of having written 'between 15,000 and 20,000 leading articles, nearly 20,000 reviews of books, 8,000 dramatic notices, and 15,000 special articles. He had published about 20 books and had written 250 lectures.' The present collection is divided into two parts. A.

8vo: 18 pp, paginated 200-217. Grubby and lightly-aged and creased, with rusty staples. Title-page headed 'For Official Use. M.O. 245s.' Scarce. No copy at the British Library, and the only copy on COPAC at Nottingham.

The calendar proper (clear and complete on aged paper) consists of 12 unpaginated 8vo pages, with photographs and some facsimiles of handwriting on the rectos and the calendar itself, with memorable radical dates, on the versos. Photographs of Edward Bellamy, 'Principal Writers of "The Clarion" ', Tom Mann, William Morris, and Alfred Russel [sic] Wallace, and Count Leo Tolstoy. The calendar is encased in a loose 8vo bifolium, with four unpaginated printed pages. It is titled 'The Labour Annual Calendar: 1896. Edited by Joseph Edwards'.

Items One to Three: three 'Co-operative Holidays Association General Notes' pamphlets, all 4pp, on unbound 8vo bifoliums. Text clear and complete, on aged and worn paper, with a 3 cm closed tear to both leaves of the second number. Each issue ends with a long list of 'Rambling Clubs and Secretaries'. Headings of notes include 'One Shilling Literature Subscription', 'Sir William Mather', 'Canadian Guests', 'Personalia'. Also a report of the annual general meeting.

On one side of a piece of watermarked laid paper, 22.5 x 29 cm, folded to make an envelope, 9 x 21 cm. A thin strip of paper (not affecting text) has been torn away in the breaking open of the wafer, under which it still adheres. On aged, grubby paper, with a couple of pin holes and a few closed tears to extremities. Address reads 'London, May thirty first 1822. | Mrs: Manning, | West Cliff. | Brighton.' Signature, in bottom left-hand corner: 'Wm Manning.' Autograph note to one flap: 'I will take Measures about Mr: Mundy immediately | W: M/'.

Dimensions of print 12 x 18 cm. Dimensions of paper 19 x 24 cm. Good, clear image on aged and foxed paper. A pleasant rural view over the harbour, with a house nestling between trees and a couple walking among the hills. Tastefully coloured in light blue, green, red and pink.

Dimensions of print 12.5 x 19.5 cm. On paper 16 x 24.5 cm. Good clean impression, with six or seven spots of foxing in the margin and a little wear in the bottom left-hand copy. Striking detailed view of the city with sailboats and steamships in the harbour, and the major buildings and layout of the streets clearly portrayed, with the environs in the distance. Scarce: there is little information to be gleaned concerning this print.

Dimensions of print 12.5 x 19.5 cm. On paper 16 x 24.5 cm. Good clean impression, with six or seven spots of foxing in the margin and a little wear in the bottom left-hand copy. Striking detailed view of the city with sailboats and steamships in the harbour, and the major buildings and layout of the streets clearly portrayed, with the environs in the distance. Scarce: there is little information to be gleaned concerning this print.

Printed on one side of a piece of cream paper, roughly 33.5 x 25.5 cm. Laid down on card. Clear and complete, with a good impression of the plate (22.5 x 17.5 cm), on lightly-aged, grubby paper, with slight wear to extremities. Presumably produced for display in a shop window. The title ('THE LIFE AND WORK OF | W. HOLMAN HUNT. | BY ARCHDEACON FARRAR.') at head, and 'SPECIMEN PLATE.' at foot, in large orange letters; the rest printed in black. Beneath the plate: 'THE SHADOW OF DEATH. | BY PERMISSION OF MESSRS. T. AGNEW & SONS. | LONDON: J. S. VIRTUE & CO.

Paper dimensions 25.5 x 19 cm. Plate dimensions 22 x 16 cm. The head-and-shoulders portrait itself is oval, 7 cm high and 5.5 cm wide, contained in a square 11 x 9.5 cm, and with the caption beneath it. Printed on aged paper, with the image itself and the caption are clean and crisp, but the paper carries a crease to the margin, and there is light staining intruding into the surrounding square. Dibdin gives an account of Miller, whose son was the noted bookseller William Miller of Albemarle Street, in his 'Bibliomania' (1811 ed., pp.630-31).

8vo: xvi + 400 + [xxiv] pp. (Part I ends at p.142 and Part II begins, after a half title, at p.127.) The last twenty-four pages consist of an index and three pages of 'BOOKS Lately Published'. Frontispiece portrait of Butler by J. Van der Gucht. Hogarth's seven illustrations (including three that fold out) face pp. 1, 75 (fold out), 88 (f. o.), 100, 122, 130 (f. o.), 131 and 182 (f. o.). Internally tight on spotted and aged paper. Good impressions of illustrations, with a little light foxing.

12mo: 20 pp. On art paper. Attached with yellow string in decorative printed card wraps. Good: lightly foxed in dusty wraps, with minor staining to blank inside wrap. The wraps, printed in red, blue and gold, feature a photo of Shakespeare's funerary bust within an embossed decorative border. Nicely printed with photos of Shakespeare's birthplace. Features the menu, a 'Toast List', a programme of music, lists of committee and patrons and extracts. Of interest are the three pages of letters, including dated communications from Henry Irving, J.

8vo, 4 pp. Bifolium. Very good on lightly aged paper. Written in Powys's distinctive, sprawling hand. Concerns William Blake and the monograph on him (1954) by Denis Saurat, who 'must indeed be a wonder considering the scope of his interests.' 'Yes I was brought up by my mother on the Poems of Blake; so I am always interested by any reference to them or any reproduction of them. Indeed and indeed I can fully understand your being so hypnotized by the pictures of Blake that you find yourself going to see them when you had decided to go somewhere else'. Powys is 'in excellent health'.

12mo: viii + 207 pp. Advertisement and printer's slug on reverse of last leaf. Additional sepia engraved title ('T. Letherbrow. Del. W. Morton. Sc. Manchr.') with illustration depicting a stern-looking woman (one of the fates?) holding a bobbin of thread. By her side a cherub with a lyre and a large, incongruous metal cog. In original blind-stamped green cloth binding. A tight copy, lightly foxed and aged, in faded binding with slight wear and a small stain to the front board. Ownership stamp of Florence Armaghdale on front free endpaper. Last two leaves opened clumsily. Scarce.