THE

For more about Corrie see his entry in the Oxford DNB, which states that 'His most effective mature work, A Master of Men, about the conflict between a mine manager, the mine owners, and the miners, was performed by the Glasgow Citizens' Theatre in 1944.' 111pp., 4to. On paper of various colours. Autograph title-page: 'English Version | A Master of Men | A Play | Joe Corrie | Hill's Hotel | 41 Princes Sq. | London W2 | Tel. Bay. 0118'. (Many of Corrie's plays were written in Lowland Scots.) In good condition, lightly-aged, in worn buff card wraps. With a few autograph emendations.

'The Bird of Paradise', Tully's best-known play, is set in Hawaii during the 'Revolutionary Days of the Early Nineties'. It was the subject of what the New York Times called 'one of the bitterest plagiarism suits on record'. A schoolteacher named Grace Fender was initially successful in her claim that it was based on her play 'In Hawaii', but the case was reversed on appeal. It was first produced in Rochester, USA, in December 1911, with productions at Daly's in New York in 1912, and the Lyric Theatre, London, in September 1915. A total of 158pp., 4to.

Brook's 1949 production of 'Dark of the Moon' was praised by the critics, and favourably compared with a rival production of 'Oaklahoma!' 'I'm not sure', Brook wrote, 'whether it's a good thing to be original in the theatre. The critics slated my Romeo and Juliet for being too original, but they applaud the quality in Dark of the Moon.' J. C. Trewin, in his 1971 biography of Brook, states that the play had attracted Brook's attention 'when he saw pictures in an American magazine and observed with rapture that there were witches in the cast.

158pp., 4to. Typed text on rectos only. With manuscript emendations (possibly in the hand of Judith Spearman, stage manager) throughout, including deletions and a few short additional passages, as well as stage directions. Makeshift thumb index at head. In fair condition, with moderate signs of age and wear, bound with pink ribbon into buff card covers. Typed label on front cover, together with 'Judith Spearman' and 'Effects' in pencil.

168pp., 4to. Pages typed in black and red (by Active Secretarial Bureau, Wardour Street) on versos only. Bound in grey card wraps, with red tape spine. Typed title on cover, with circular red label of 'British and Continental Plays Ltd'. The main characters include the unnamed members of a continental royal family, together with 'Baroness Sibyl Konigsmark' and 'Section-Leader Grumb', and the scene is set at an Old Castle and Summer Palace, and 'Late in June of the year 1941. Three o'clock p.m.' and periods shortly following.

74pp., 8vo. Stapled duplicated typescript, with pages on rectos only. In fair condition, with moderate signs of age and wear. Light staining at head, and discoloured title-leaf detaching. A few minor manuscript emendations, and '-Debel' added in manuscript to the translator's name. 'La Princesse Americaine' was first performed in 1963, and like Aloni's other early work was influenced by the European Theatre of the Absurd. An English translation of the play appeared in 1980, but OCLC WorldCat has no record of the publication of a French translation.

136pp., 4to. Duplicated typescript (by Catherine Billinghust, Westminster) with pages on rectos only. Bound in grey card wraps, with red and black cloth spine and title typed on front cover. In good condition, with light signs of age and wear. '12' in manuscript at head of cover. 'Sleep My Pretty One' has been described as 'a study of a young girl driven to distraction by the death of her mother and the, to her, totally unacceptable remarriage of her father'.

137pp., 4to. Typed text on rectos only. Bound with red ribbon into red wraps, with typed label on front cover. In fair condition, aged and worn, in heavily-aged wraps. Pencil annotations to the list of characters. Bound in before the beginning of almost every scene is a manuscript leaf carrying a page giving the layout of the set. The label of Joan Ling Ltd, Gloucester House, 19 Charing Cross Road, WC2, is pasted over Knoblock's typed address 21 Ashley Place on the title page. Knoblock's papers are at his alma mater Harvard.

[3] + 280pp., 8vo, on the rectos only of the leaves. Bookplate of Douglas Neil Wimberley on flyleaf. Around half a dozen additional duplicated maps inserted. With copious autograph additions on upwards of 70pp. of the blank reverses of the leaves, several taking up the whole page, and a number initialled 'DW'. Internally in good condition, on aged and worn paper, in worn green fake-cloth binding, with 'SCOTTISH SOLDIER | VOLUME II | BY | DOUGLAS WIMBERLEY' in faded gilt on cover.

[5] + 145pp., 8vo. On the rectos only of 149 leaves, perfect bound into buff card covers, with white typed label on front, reading 'SCOTTISH SOLDIER VOL. VII | BY DOUGLAS WIMBERLEY.' In ten sections, lettered A to J, three of them signed 'D W' in red ink (pp.55, 78, 128), with index of names and appendix. Title-page in autograph, otherwise a duplicated typescript, but with autograph notes to pp.21, 46 (subsequently inserted), 61, 62, 63, 75. Sections include '"Montgomery", a personal Memoir', 'Broadcast on the B.B.C.

The eight items are unbound, in fair condition, on aged paper with loss to extremities of some documents.ONE: Printed parliamentary bill: 'Compulsory Weighing and Measurement. | A Bill To provide for the Weighing and Measurement of the Material used in the process of manufacture, as well as the Product thereof, in all Iron or Steel Works, Cement Works, Lime Works, and Chalk Quarries. | Presented by Mr. Barnes, | supported by | Mr. Keir Hardie, Mr. Hodge, [and nine others] | Ordered, by The House of Commons, to be Printed, 22 February 1906.

Austin (1895-1973) was a British etcher, engraver and watercolourist. R.A. Walker (born 1886), whose bookplate is on the front pastedown, was a connoisseur and Aubrey Beardsley scholar. Quarto, twenty-six leaves. Internally tight, clean and sound, in worn and stained half-leather binding, with 'ROBERT AUSTIN' in gilt on spine. The item contains a total of forty-seven reproductions of Austin's works, many gleaned from magazines, etc, and tipped in throughout.

1p., 12mo. In good condition, on lightly-aged paper. He informs him that 'the Duchess will be obliged to postpone her visit to The British Museum till next week', and asks what day would be convenient.

3pp., 4to. Bifolium. On aged and worn paper. Arnald's appeal begins: Appealing to the 'known humanity' of Lawrence and the Council, Arnald writes on behalf of 'Mrs. Abigail Whitcombe, widow of Mr. Thos. Whitcombe late of Clarendon Square, marine painter, and for 40. Years an annual contributor to the Exhibition of the Royal Academy', who has previously received assistance, but is now 'almost totally deprived of sight, and otherwise afflicted', and is dependent on 'the assistance afforded by friends on whom she has no Claim'.

On piece of 6 x 12 cm laid and watermarked paper, cut from an order. In fair condition, aged and worn. Above the good firm signature, in another hand, is: 'Given onboard [sic] the Caledonia in Basque Roads 17 April 1809'. At foot, in a nineteenth-century hand: 'Gambier's autograph'. Gambier's actions during the battle, the victory in which was credited to him rather than Lord Cochrane, led to a Court Martial. Gambier was exonerated, and Cochrane's naval career ended.

Jacob was one of the ten children (seven sons) of Archdeacon Philip Jacob (1803-1884). Both items are in good condition, on lightly-aged paper. ONE: 'HMS Leopard | Dec 12th. 1854'. 4pp., 12mo. Bifolium on grey paper. To 'My dearest Brother'. The fifteen-year-old Jacob has a shaky grasp of spelling and punctuation.

A fascinating collection of material, casting light on a furtive and little-discussed aspect of the English antiquarian book trade. (For further information see 'Anatomy of an Auction: Rare Books at Ruxley Lodge, 1919' by J. I. Freeman and A. M. Freeman, and 'Out of Print and into Profit', ed. G. Mandelbrote.) Of the eight items, all but Item Two below are in good condition, with light signs of age and wear. It would appear that some of the material at least was published, but precise details are not known.

15pp., folio, on 10 leaves of laid paper. In a number of hands, with marginal glosses. In good condition, on aged paper. The conclusion reads: 'Wee will also &c that ye aforesaid Sr. Jno Foster have &c these our Letters Patent under our great Seal of England &c without fine or Freedom because before mentiond & expressed &c in Witness &c Tested at Gothamburg ye 28th. of March'. On reverse of last leaf: '17. Eliz. [i.e. 1575]. The document begins: 'The Queen to all to whom &c.

Iv + 224pp, 8vo. Ownership inscription of 'Jennifer Samuel 16.12.58'. In good condition, lightly-aged and worn. The diary is arranged with two days to a page, and with fourteen lines available for each entry. Seven pages of 'cash account', giving expenditure from January to July, at end. Almost without exception, each page is fully filled in, mostly in pencil.

3pp., 12mo. Bifolium. Very good, on lightly-aged paper. He finds that he will be able to arrange 'a course of 3 afternoon lectures for you on Welsh and Irish Music . . at the Royal Institution during next week'. He asks Graves to 'communicate with the Assistant Secretary as to date and exact title'. He ends by stating the fee.

Wallace, a well-known painter of landscapes and still life subjects in oil and water-colour, was born at Kendal in the Lake District and studied in Kensington at the Byam Shaw and Vicat Cole School of Art. He exhibited at the Royal Academy from 1922, and at the Royal Institute of Oil Painters, the Royal Institute of Watercolour Painters, and with the Lake Artists' Society. He was a full member of the Royal Society of British Artists. The present collection casts an interesting light on the efforts of a good English artist to be of use to the war effort. Ten items.

Both items in good condition, lightly aged and worn. ONE: TLS from Curtis to Francis. 1p., folio. Signed 'L. Curtis'. A circular letter, with signature, date and name of recipient added. Curtis begins the letter: 'I am writing to ask whether you would care to acquire a replica of a portrait of Lawrence which has now come to be known as "the ghost portrait." Its history is as follows: In 1923 Eric Kennington made a portrait in pastel of Lawrence, who was then a fellow in residence at All Souls.

Both items in good condition, on aged paper. Lovell begins the first letter (3pp., 12mo) by expressing disappointment at not having heard from Webster yet 'with the M.S.', and offers to 'save [him] any trouble in explanations' by calling on him. If that is not acceptable he asks him to 'let me have the copy with your notes upon it & I will work at once. And if you have any thing more agreeable in the way of criticism to communicate it will put me in better spirits'.

2pp., 12mo. Bifolium. In good condition, on aged paper, with light glue stains on blank reverse of second leaf. Lovell writes in jaunty tones: 'When I quitted Town I left your incomparable Cardinal in the plenitude of his power & on my return I find him still in the ascendant & his glory undiminished! - Such a man belongs to posterity & my posterity are anxious to pay (?) [the question mark is Lovell's, the implication being that they want to get in to a performance without paying] their homage to him.

2pp., 4to. Printed on the same side of one piece of shiny art paper, folded to make a bifolium. Aged and stained, with wear and slight loss to extremities. Photograph of Russell beneath title, alongside 'Sonnet | To W. Clark Russell', reprinted 'From "English Sea Pictures." By Julia D. Young, Author of "Barham Beach, the President's Poem." - New York.' The author laments that '[i]n this country, it is not the fashion to ennoble those who really do something for their time and generation', such as Russell, whose 'stupendous output' consists of 'fifty-seven books everyone [sic] of them good'.

2pp., folio. In good condition, on lightly aged paper. He is directed to 'make up and transmit to this Office an account Current of the receipt & application of the [...] Sum of £277,450, duly attested upon oath & accompanied by the necessary vouchers & authorities in support thereof'. The money is made up of 'various bills of Exchange drawn by you upon their Lordships on 4th. Novr: 1810 payable to M. T. Sempayo [Sampayo]'.

Printed in black on 4 x 7.5cm piece of card. Lightly aged and stained, with one indentation. Evidence on reverse of removal from a grey paper mount. Restrained in design, and reading 'G. BERNARD SHAW, | 29, FITZROY SQUARE, | W.' The 'G' and 'S' in Shaw's name with flourishes at head trailing to the right. Shaw lived at this address from 1887 to his marriage in 1898. Virginia Woolf lived there from 1907 to 1911. From a collection of material relating to Walter Crane, who was a member of the Fabian Society with Shaw, and possibly designed by him.

1p., 12mo. A frail survival, creased and aged. Begins: 'The MANCHESTER TIMES has now been in the hands of the present Proprietor for twelve months, [Paulton had bought out Prentice in 1847] during which period its increase in circulation has been unprecedented. | At the commencement of the present year the Proprietor of the MANCHESTER TIMES announced that its circulation, during the previous half-year, had ranged from | 3,000 to 4,800. | He then expressed his strong conviction, that in SIX MONTHS from that time the maximum would become the average circulation.

1p., 12mo. In good condition, on aged paper, in aged franked envelope ('J. Cowell') addressed to 'The Right Reverend The Lord Bishop of St. Helena.' Reads: 'My Lord - | I am desired by His Royal Highness, Prince Alfred, to forward you the accompanying portrait of himself. | Believe me | My Lord | Yours faithfully. | J. C. Cowell'.

The two advertisements are variants of one another, with much the same text in two columns of small type, surrounded by a decorative border with oriental influence (featuring flamingo, vase, bamboo). Both printed in black ink on one side of a 33 x 26cm piece of tissue. They are frail and unusual survivals: aged and creased with wear and slight loss to the extremities. Both are headed 'UNITED KINGDOM TEA COMPANY | SUPPLY THE FINEST TEA IN THE WORLD | FIRST HAND, DIRECT FROM THE MINCING LANE MARKET.' One is headed, in fancy type: 'THIS PAPER IS MADE IN JAPAN & IS A CURIOSITY'.