HAYMARKET

68pp., 4to. In fair condition on lightly aged and worn watermarked laid paper. Sewn into brown paper wraps with 'The Unfortunate Youth. | T. R. H.' on cover. The title on the title-page is retitled in pencil 'The Unfortunate Boy! or Always in for it.' Possibly in Webster's hand, but with what may be the initials of the transcriber following the 'FINIS' on the final page. The text of the play is on the rectos, with occasional writing on versos. Emendations in ink and pencil, including additional dialogue.

Both items in good condition, on aged paper. Lovell begins the first letter (3pp., 12mo) by expressing disappointment at not having heard from Webster yet 'with the M.S.', and offers to 'save [him] any trouble in explanations' by calling on him. If that is not acceptable he asks him to 'let me have the copy with your notes upon it & I will work at once. And if you have any thing more agreeable in the way of criticism to communicate it will put me in better spirits'.

2pp., 4to. Bifolium. In fair condition, aged and worn. Contract, signed on Tree's behalf by Henry Dana. A printed form, completed in a second hand, headed 'HIS MAJESTY'S THEATRE', and dated 14 March 1908. Signed by Dana: 'pp H Beerbohm Tree | Henry Dana'. Engaging 'Miss Sylvia Dryhurst' for 'The run of "The Merchant of Venice", at the salary of one guinea per week of six performances. 'This engagement is terminable by two weeks' notice on either side'. Not signed by SL. The second page carries the fifteen 'Rules and Regulations' of 'His Majesty's Theatre. | Proprietor and Manager - Mr. TREE.'

The sheet is 38 x 27.5cm; and the dimensions of the plate are34 x 25cm. At foot of plate: 'London, Published by Thos. Mc.Lean, 26 Haymarket, 1824.' The engravings, each 11 x 8cm., are arranged in two rows of two. In good condition, lightly-aged and with a torn pin hole at head, presumably where the print was torn from its string. Moving clockwise from top left, the prints are as follows.

1p., 12mo. Fair, on aged paper and worn paper. He is 'exceedingly obliged' to Barnett for 'procuring for me the freedom of Her Majesty's Theatre'. He asks if he will 'receive an official commemoration from Mr. Lumley', or whether he should write and thank Lumley on the strength of Barnett's note.

1p., 4to. 31 lines. Fair, on aged paper. On paper with watermarked date of 1814. Initialled 'G. C.'; with the words 'Copy to Morris' in the top left-hand corner. Docketed on reverse 'Copy to Morris March 1815'. Colman writes that is is now his intention, 'as it ever has been, to use every effort in my power for the interest of the Theatre, by carrying on the business in the best manner that the continual obstacles opposed to my plans will permit'. He states that he is 'in treaty with various Performers for the approaching Summer'.

8pp., 12mo. On shiny art paper. On aged paper, with the two staples rusted. Sammons has signed over the cover portrait of him by 'Haile, Bognor', 'Sincerely Yrs | Albert Sammons'. Including texts by Mary E. Coleridge, Lord Lytton and Sir Rabindranath Tagore. Central opening carries an advertisement stating that 'ALBERT SAMMONS Records ONLY for COLUMBIA Records', with list of eight 'Recent ALBERT SAMMONS Records'.

1p., 4to. On aged and grubby paper. The letter provides an interesting insight into the niceties of Regency theatrical practice. Colman peremptorily addresses it to 'Madam', before expressing his displeasure and defending his imposition of a penalty, as a result of the non-attendance of the recipient (apparently an actress) at a performance at the Haymarket.

Albumen print, 14.5 x 19.5 cm, with arched top, laid down on original cream backing paper, 18.5 x 24.5 cm, with border to photograph and company details all printed in gold. A good photograph, showing Buckstone staring at the viewer, while seated in a plush chair at a writing table with tablecloth, his right hand holding a pen over a piece of writing paper. The print is in good condition, on slightly grubby backing. Buckstone has signed 'John Baldwin-Buckstone', in black ink at the foot of the mount.

1p., 4to. 15 lines. On aged and worn paper. The letter reads 'Dear Sir/ | A general meeting of all the Dramatic Authors will take place at the Garricks head in Bow Street on Monday nexxt at One o'Clock.

12mo, 2 pp. On bifolium. 12 lines. Text clear and complete. Good, on lightly-aged paper. Part of the leaf to which the item was attached in an autograph album adhering to blank part of reverse of second leaf. 'Miss Cross' has written to him again, 'desiring me to use my influence in obtaining an engagement for her. - She states she is "quite disengaged now" '. Sothern states that when she made a similar request on a previous occasion 'there was some little misunderstanding', so he considers it best to 'drop you a line'.

On fifty-seven pages, in a notebook of forty leaves (eighty pages). Dimensions: 20 x 16 cm. In red card covers with 'THEATRES' in manuscript on front. Pages aged and ruckled, with a little damp staining at rear (not affecting any of the ephemera) and a small amount of loss to a corner of the rear cover, but in fair condition overall. The first page, signed 'R. J. Olive', with title 'London Theatres'.

Octavo, one page. Good, with stains from paperclip at head. Large bold signature on top half of leaf, and body of note, with signature on bottom half. 'I have pleasure in sending my signature. Yes I am the author of "Deirdre Wedded" & "New Poems" (including Apollo & the Seaman) which Methuen published.'

English actor and playwright (1780?-1829). 1 page, 16mo, on bifoliate with address ('J. Winston Esqr | 3 Church Street | Cov Garden') on reverse of second leaf. Paper discoloured, otherwise in good condition. 'Dear Winston | Will you be kind enough to give the bearer an order for Two to the H Mkt [Haymarket] for the Evening. I am Dr Sir | Yrs very truly | Danl Terry'. Wrapped in 4to piece of paper on which are transcribed in a neat contemporary hand two quotations regarding Terry from the European Magazine.

Theatre manager (died 1926). The first, typewritten, to John Cabourn, 1 February 1906, on letterhead of Haymarket Theatre, one page, 8vo. "I would see you with pleasure, but I am sorry to say that I am too busy to do so at present." The second, in autograph, to [?] Pryce, 21 June 1916, on the letterhead of the Haymarket Theatre ("LESSEE & MANAGER MR. FREDERICK HARRISON"), 1 page, 12mo. He says he has been thinking about his correspondent, and hoping that he would come. "I enclose with pleasure two stalls" (not present). Traces of mount glued to reverse. Two items,

One page, 4to. He thanks her for her "criticisms as to the hands and the lighting [...] Your appreciation was of the kind that I specially value. / On re-reading your One Act play, I think it needs alteration. The first ten or twelver [sic] pages are very good, but I am not at all sure that the last part will go down. Is it not a little over-sentimental?" But I will consider this further and let you have some suggestions later. I suppose you would not mind altering it to a certain extent if necessary?"