LONDON

[2] + 6 + [1] pp., 8vo. Stapled and unbound. Good, on lightly-aged paper, with minor rust spotting from staples. Above the printer's slug are the details of 'H. R. T. Alexander, 27, Ely Place, Holborn, E.C., Solicitor' and 'Dyson & Co., 24, Parliament Street, Westminster, Parliamentary Agents'.

1p., 8vo. In fair condition, on lightly-aged paper, with slight wear and few short closed tears. An interesting artefact, reflecting the postwar British manpower shortage. The heading is all in block capitals, with 'TRADESMEN WANTED' across the top.

8vo., 69pp. Unbound as issued. In fair condition, on lightly-aged and worn paper, with worn and chipped printed front wrap still present, with ownership inscription at head (''). 482 lots, with several of the books ticked in pencil. Included, as lots 95 to 112A, are 'specially printed copies of the various Lyceum Plays, as arranged for the Stage by SIR HENRY IRVING; they contain numerous manuscript alterations in the text in the handwriting of the great Actor, and are in consequence of very great interest'.

28 + [1] pp., 8vo. In fair condition, on aged and lightly-worn paper. P. 1 has the drophead title: 'STRAND UNION WORKHOUSE. | RETURN to an Order of the Honourable The House of Commons, | dated 25 June 1866; - for, | COPY "of the REPORT made by R. B. Crane, Esquire, Poor Law Inspector, to the Poor Law Board, after an Inquiry held by him on the 4th and 6th June 1866, into certain Allegations made by Matilda Beeton, in reference to the Treatment of the Sick in the Strand Union Workhouse." | Poor Law Board, 25 June 1866.

1p., 4to. Bifolium. Very good, on lightly-aged paper. Addressed in another hand on reverse of second leaf to 'Monsieur le Doctor Brown | Medicin de la Majesté la Reine | regnante de Prusse | Berlin', and docketed (presumably by Brown) 'J. Randall Coachmaker | 1789 | London June 30 | recd. July 13 - | with a Receipt in full inclosed -' (the receipt is not present). Brown begins: 'I have sent you enclos'd a receipt in full for what you was Indebted to me'. He would have answered Brown's letter before, but has been 'very Ill for these six weeks past & oblig'd to be by the Sea side'.

1p., 8vo. Aged and worn, having previously been folded into a tight packet, and laid down on a paper backing. Headed with the title, and neatly written in two columns. The poem consists of 60 lines arranged in six stanzas. The first and last stanzas indicate the tone.

On one side of a strip of wove paper, 46.5 x 9.5 cm. Cut down. In fair condition, on aged and lightly ruckled paper. 96 lines arranged in 12 numbered eight-line stanzas.

1p., on 29 x 7 cm piece of unwatermarked laid paper (probably cut down), with no indication of printer or date. Printed with the long s. In good condition, on lightly-aged paper. 64 lines, arranged in eight eight-line stanzas. The first stanza reads: 'BRITAIN! brave and generous nation, | Listen to my plaintive strain, | Tho' exalted be my station! | Day and night I sigh in pain; | Here I came a helpless stranger, | With no friend to take my part, | Braved the stormy ocean's danger, | From home for ever to depart.' She appeals to her 'Good Uncle' (i.e.

Typescript, 242pp., 4to, brown paper wraps, damage to top of spine but no loss, label on front with author ("Owen Edwards") and title. A semi-autobiographical novel based on Marsh's experiences during the Second World War in the London Ambulance Service. Initially a "Notice" "The characters in this book are fictitious. Some of the incidents are naturally based on real happenings during the war but they are none of them wholly accurate[...]". The novel starts with the hero, Lang, joining the Service.

Whaite was first cousin twice removed of his more famous namesake. He was himself an excellent artist and teacher, and there is a large collection of his work at the Whitworth Gallery in Manchester. 2pp., 12mo. Fair, on aged, creased paper with slight rust spotting. Mawson begins: 'Mr. H. Clarence Whaite first came under my notice a few years ago when attending my lecture on Decoration & Ornamental Design at the Slade School - and from the first I was much struck with his understanding and grasp of the principles[.] This enabled him to carry out work of exceptional merit.

2pp., 12mo. Good, on lightly-aged paper with small pin-holes to one corner. 'Mr. H. Clarence Whaite is a part time art master in this School. [...] He succeeds in stimulating an interest in art & has conducted parties of boys over the Dulwich Gallery with that end in view. Of course the post he holds here does not offer much opportunity for the exercise of his powers either as an artist or a teacher of art & he is therefore justified in seeking a position more in accordance with his qualifications.' From the Whaite papers. Whaite was first cousin twice removed of his more famous namesake.

Whaite was first cousin twice removed of his more famous namesake. He was himself an excellent artist and teacher, and there is a large collection of his work at the Whitworth Gallery in Manchester. LETTER: 1p., 4to. Fair, on lightly-aged and creased paper. He begins: 'I am just trying to get away for a short holiday, so I have crafted your testimonial at once. [...] We should miss you badly if it should so happen that you left us, but that consideration need not stand in the way of my offering you the heartiest good wishes for your success.' TESTIMONIAL: 1p., foolscap 8vo.

Two extraordinarily positive testimonials, especially significant coming from one of the leading educationalists of his age, and also of interest considering the fact that Whaite would follow Nunn to the London Institute. (Whaite was first cousin twice removed of his more famous namesake. He was himself an excellent artist and teacher, and there is a large collection of his work at the Whitworth Gallery in Manchester.) ONE: Written by Nunn as Principal, London County Council, London Day Training College (University of London), Southampton Row, London, WC1. On College letterhead; 28 June 1928.

1p., 8vo. Fair, on aged and spotted paper. She thanks him for his 'most interesting letter'. 'I have not seen the Board's advertisement, but I feel sure that an appointment of this kind would give you scope for improving conditions, and you would certainly be able to help teachers "struggling" and otherwise. Surely you ought to apply. [...] I can honestly say that I have, in spite of struggles, been very happy as an inspector.

Whaite was first cousin twice removed of his more famous namesake. He was himself an excellent artist and teacher, and there is a large collection of his work at the Whitworth Gallery in Manchester. 2pp., 8vo. In good condition, on lightly aged and creased paper. The testimonial begins: 'Mr. H. C. Whaite has been on my Staff as visiting Art Master since January 1929, and I am very glad to write in support of his application for an Inspectorship of Art. Mr. Whaite has had wide experience of Art teaching, and has done remarkably successful work here with boys of 14 to 18 years of age.

The note is Item Three below, and the testimonial is Item Six. Items One and Six refer to Tonks's 'large wall decoration at University College', 'The Four Founders', on which Whaite assisted Tonks. (Whaite, who was first cousin twice removed of his more famous namesake, was an excellent artist and tutor, and there is a large collection of his work at the Whitworth Gallery in Manchester.) One: Vale Studio B, Vale Avenue, Chelsea; 22 July 1932. 1p., 16mo. Good, on aged and spotted paper. 'I enclose you a Cheque for £5.

1p., 8vo. In good condition, on lightly-aged paper. 'Mr. H. Clarence Whaite has held Art classes at Queen's College since Janary, 1934. [...] He has been most successful in encouraging the students to do individual work and the results have been excellent. | It has been of the greatest value to the College to have a visiting teacher who could bring such freshness and originality to the Art lessons and who, at the same time, took a keen interest in other subjects and in the general welfare of the students.' From the Whaite papers.

Whaite was first cousin twice removed of his more famous namesake. He was himself an excellent artist and teacher, and there is a large collection of his work at the Whitworth Gallery in Manchester. 1p., 4to. In fair condition, on aged and dusty paper. 'Mr. H. C. Whaite, after attending at the Slade School, joined this School as an evening student in September 1925, since which time he has studied Pottery, Design and Decoration.

The item consists of a 25.5 x 20.5 cm bifolium, with the text of Landor's letter on the recto of the first leaf, from which a central rectangle (roughly 10 x 20.5 cm) carrying the amended copy has been cut away for transmission to the printer. Otherwise the item is in fair condition, on ligthly-aged paper. The verso of the second leaf is addressed to 'Mr. Taylor | 13 Waterloo Place | London', and carries three postmarks. The letter reads: 'Sir, | There is a passage in page 47 which Mr Hare [Julius Hare, who had] inserted from a letter I wrote hastily to his brother [Augustus Hare].

2pp., 16mo. Bifolium, with the reverse of the second leaf addressed to 'Mr Lee | Olympic Theatre'. Fair, on aged paper, with minor damage to second leaf on removal from album. The letter begins: 'R. Keeley's Compts to Mr Lee, will thank him to send his Salary per Bearer - R. K. is entirely without money and will thank Mr Lee to present the accompanying note to Mr Elliston's notice'. He asks Lee to oblige him 'with the date of the 2d. Week of the Leicester Season when I first resume my Sal -'.

1p., 16mo. In fair condition, on lightly-ruckled paper. The note reads: 'Dear Mr. Odgers, | You were quite right, and I thank you for correcting my correction. I do not know what possessed me to make it.'

[1] + 30pp., folio. In brown printed wraps. Worn and aged, with some damp staining to the first dozen leaves. Printed on art paper, and with the thirty pages of the catalogue filled with illustrations of every aspect of the firm's stock, from 'Composition enriched pine panel mouldings' to 'Fibrous plaster cornices'. The price list is printed on 4pp., folio, in a bifolium, as is one supplement of 'Additional fibrous plaster cornices & bands and composition ornaments'. The other supplement is a fold out poster (44 x 28.5 cm) carrying illustrations of 'Cast lead word'.

An attractive Gothic Revival item, tastefully printed in red and black. Printed on nine 13 x 9 cm panels, laid down on a cloth backing opening out to 39.5 x 28 cm; in original 14 x 10 cm printed card cover, with engraved title on front, within a gothic arch. In fair condition: aged and worn in worn and rubbed covers, with small white circular label on front board. Arranged, appropriately enough, in four columns headed: Name of Style; Reign A.D.; Illustrative Examples; Characteristics.

1p., 4to. Addressed on reverse, with red wax seal, to 'C. W. Dilke Esq:'. Hayward writes that he is enclosing a note (not present), which was sent to him 'in one to me received only today though apparently written on Wednesday last. A d - d foreigner kept it in his pocket in the interim.' Clearly referring to a fee for an article, he continues: 'The lady will be quite satisfied with what you name, but I suppose it may stand over till she does something else'.

The 'Ape' cartoon: 21.5 x 32.5 cm. In good condition, on aged paper, with a neat horizontal fold 4 cm up from the bottom. Hayward's autograph note: 1p., 32mo. In good condition, on aged paper. It reads: 'Mr Heywood presents his compliments to Viscountess Combermere and has much pleasure in accepting her invitation to luncheon on Wednesday 21 June. | 8 St. James St | June 9'.

3pp., 12mo. Bifolium. In good condition, on aged paper, with original worn and torn envelope, with stamp and postmarks, addressed by Lucas to 'H. W. Stuart Esq. | Mulgrave House | Rectory Place | Woolwich'. Stuart's son has 'shown himself so good a worker' at Guy's that Lucas is 'anxious that he should have an opportunity of taking a good position in the profession'. Lucas has 'persuaded him to try for the fellowship & if possible, to pass the preliminary next September'. Lucas hopes Stuart will encourage his son, as he is 'convinced that he has the power, if you give him the opportunity'.

46pp., 12mo. In original printed wraps, with the last two pages of the catalogue on the back cover. 704 priced items, with descriptions. Reproduction of no. 612 (mezzotint of Napoleon by Charles Turner from J. J. Masquerier) on front cover. In fair condition, on aged paper, in aged and worn wraps, with occasional pencil markings in margins. An important catalogue, issued in part to make a point during the Great War.

The signature, cut from a letter is on a strip of paper roughly 1.5 x 10 cm, laid down on a piece of paper, 7 x 11.5 cm. Lindpaintner's signature ('Js. Lindpaintner') is bold and florid; a small part at the head has been trimmed away in cutting the strip. In fair condition, on lightly-aged paper, with one pinhole at head of mount, and traces of grey paper on reverse. The mount is neatly captioned 'Autograph of Lindpaintner, composer of "The Standard Bearer" | &c. &c. &c. | Recd. from Wessel & Co - 1859'.

2pp., landscape 12mo. Addressed to 'Dear Furniss'. He is glad to hear of Furniss's success: 'Your tour ends after the last dinner but one of the year. No dinner Xmas week! awful that isn't it? When all are feasting no dinner for the Punch boys!!' He hopes Furniss will be 'here with us'. Had Furniss been 'on the spot' Burnand would have got him 'to substitute something for your John Bull picture in almanack which no one (I do not speak of "The Table" but of our best friends outside) comprehends.

2pp., landscape 12mo. On aged and dusty paper. This item is a jocular response to a letter by Furniss, printed in The Times of 21 July 1892 under the heading 'A Parliamentary Prophecy'. Both the Times letter and the present item are published in Furniss's 'Confessions of a Caricaturist' (1901), with other matter and the context explained. In this item Burnand teases Furniss about a misprint ('Is that setter-up-of-type still alive?