HALL

8vo: vii + 168 pp. Complete. A tight copy, on aged and dusty paper. In remains of brown cloth binding, with spine chipped and covers detached. With the bookplate and 21 June 1884 accession stamp of the Public Free Libraries, Manchester, to whom it was 'Pres[ented]. by Messrs. Walch Bros. & Brichall' on reverse of title. No other stamps. Binder's stamp of Charles Winstanley of Manchester. The cloth-backed fold-out coloured map is approximately 50 x 40.5 cm. Titled 'Tasmania' and 'Compiled and drawn by Leventhorpe Hall January 1884.' Printed by 'R.

On a slip of laid paper (watermarked 'SMIT'), approximately 7 x 18 cm. Good, on lightly-aged and spotted paper. The writing by one of the twins, is in pencil, in a large, childish hand, and reads 'London England'. Beneath this, in a neat contemporary hand: 'The above two words, were written in my presence by one of the Siamese Twins. - | March 1830. | [signed] William James Smith'. The 'Siamese Twins' began their first appearance in London in 1829, at the Egyptian Hall in Piccadilly.

12mo, 1 p. Fair, on lightly-aged, slightly-grubby paper with small dogears to a couple of corners. Reads 'June 13th. | Dear Mrs Barrow, | It is very kind of you to meet me. I shall hope to arrive punctually. | Yours sincerely | [signed] Dorothea Beale'.

12mo: 2 pp. Bifolium. Text clear and complete. Fair, on aged paper. If the recipient visited on the Saturday he would have found that the Waughs were away: 'My wife was developing mumps in London & I was kicking a football. Would tha tit had been any other day.' He thanks him for 'the review of Strachey', which he read with much interest, if partial agreement': 'I think mystic experience lies beyond my compass, & therefore I can hardly judge'. Quotes 'our friend Moore' (the philosopher G. E. Moore?) on the subject.

Card (9 x 11 cm), 2 pp. Nine lines of text. Neatly and closely written. Addressed to 'Sehr geehrter Herr Professor!' Placed by Fürth, with a page of his autograph notes, in an envelope addressed by Wrinch 'Herr Doktor Professor Fürth'.

Scottish soldier and diplomat (1755-1843). Four pages, octavo. Good, though grubby on discoloured paper, and a little frayed about the edges. Concerns 'the Subject of Issues which are made by the Barrack Department in North Britain to the Forces stationed in this Part of the United Kingdom, but which are not sanctioned by The King's Warrant'. '[...] | I conceive the Establishment of Regimental Schools to be highly conducive to the good of His Majesty's Service, and peculiarly so in the case of 2d.

Printed on one side of a piece of wove paper, dimensions 22 x 14 cm. Text clear and complete, on aged and lightly-spotted paper, with minor wear to extremities. Headed 'Under the Patronage of the Nobility and Gentry.' 48 lines of text, including positive quotations from the Observer, Christian Advocate, Sunday Times and Albion and Star. Describes ten aspects of the exhibition, lettered A to K, including the conveyance of the ore 'to the surface by a --- (G) --- POWERFUL HYDRAULIC MACHINE, first in kibbles, through a perpendicular shaft, and lastly in waggons drawn upon an inclined plane'.

On a piece of yellow paper, 18 x 23.5 cm, removed from an autograph album. Dimensions of image 12.5 x 17.5 cm, neatly enclosed within a border. Good, on aged paper discoloured at extremities of margin. An accurate and detailed drawing of the organ in its setting on the balcony, with ceiling above and the surrounding steps, columns and alcoves.

12mo: 1 p. 12 lines of text. An bifolium, addressed on the reverse of the second leaf, which carries Colburn's seal, with his initials, in black wax. Good, on aged Whatman paper with watermarked date 1837. The drift of the letter is doubtful as it is written in an extremely difficult hand. Colburn will call upon the recipient 'presently'. He then makes a request regarding 'Miss Edgeworth', whose letter should be 'sent to my care' before being 'forwarded to its destination'.

4to bifolium: 4 pages. Closely written. Very good, on aged paper. Address on the reverse of the second leaf, which carries two postmarks and a strong impression of his red wax seal. Wolff's letter to Combes covers the whole of the recto of the second leaf. His father-in-law Edward Weston having died eight years before, he desires 'the Business touching Mr Westons Legacy to my Children to be finally concluded on'.

Sitwell and Renishaw collaborated on the play 'Gentle Caesar' (published in 1942), and the last two letters would appear to concern a possible film adaptation. All three items very good on lightly aged paper. Letter One ('Friday Renishaw'): 12mo, 2 pp. 18 lines of text. Apparently written around the time of the play's composition. Sitwell is 'delighted' that Minney is 'already immersed in Pares's book. I have just read the Czar and Empress Marie's Letters.' He has 'marked (in the preface mostly) what I thought helpful for atmosphere, or amusing'.

The cover is printed on one side of a piece of shiny art paper, roughly 20.5 x 13 cm. Photograph of Kubelik and his violin roughly 10.5 x 8 cm. Paper lightly creased and with slight wear along vertical fold across middle of photograph. Good firm signature.

Attractively produced on a piece of thin card, dimensions 17 x 11 cm. The recto of the card has a shiny, light-blue coating, on which the text and design is printed in gold and bronze. The verso is blank and white. Very good, with minor damage to the blank reverse caused by removal from mount. The poem, of thirty-one lines, is enclosed within a grecian-style border. A tender poem addressed to his wife, and reviewing their years together, beginning 'YES!

Two pages, printed on the recto of the first leaf and verso of the second of a yellow wove-paper bifolium. Leaf dimensions 22.5 x 14.5 cm. Grubby and creased, but with text clear and complete. The first poem, 'A New W[h]ig Song', begins 'In our town there's a street, with a chapel and shop, | Where a gay pole once hoisted of late is let drop, | There a fam'd Barber deals with his w(h)ig as he wills, | From full bottom'd P----r to little scratch M--ls.' References to 'shot-yellow A---r [Adair]' and 'M----y, the close button'd Barber'.

On a leaf (roughly 21.5 x 14) removed from a programme. Grubby, worn and with a central vertical fold. Laid down on a leaf (22 x 18 cm, and ruckled and spotted) removed from an autograph album. The autographed page only carries Wood's photographic portrait (12.5 x 8 cm), captioned 'Sir Henry J. Wood'). Bold signature in bottom right-hand corner of photograph: 'Sincerely yours | Henry J. Wood'.

On one side of a piece of wove paper roughly 220 x 280 mm. Good, on lightly aged and creased paper, with a few short closed tears to extremities. Cheaply but effectively printed in a variety of point sizes. Reads '£1 REWARD | LOST, on Monday Evening, December 16, either on the Motor-bus between Oxford and Witney, or in Witney, A Lady's Gold Wrist-Watch & Bracelet | Engraved on the back, P.E.B., Dec. 28, 1921. | A Reward of £1 will be paid to anyone bringing the same to the Police Station at Witney, or to the County Police Station, New Road, Oxford.'

On one side of a piece of light-brown laid paper, dimensions roughly 240 x 125 mm. Text clear and entire, on lightly creased paper with chipping, short closed tears and loss to extremities. Crudely printed. A thirty-two line poem, arranged in four four-line stanzas, each with a different chorus. An excessively scarce piece of music hall ephemera. No other copy of this particular item, possibly produced for distribution to Hurley's music hall audience, is present on COPAC or anywhere on the web.

8vo: [viii] + 265 + [ii] pp. Printers slug on page following 265, followed by a full-page advertisement by Harrison Hall, Philadelphia, and Collins & Co., New York, for 'Wilson's Ornithology', dated 'Philadelphia, July 1832'. In original brown paper boards, with brown cloth spine carrying white printed label. Tight, but in poor condition, with light spotting and damp-staining. Unobtrusive repair to closed tear on reverse of title-leaf. Ownership inscription of Joseph Malcomson (mill owner of Portlaw, County Waterford) to rectos of first four leaves, including title.

Octavo: viii + 201 pages. Good and tight, on aged high-acidity paper, with some chipping and a little light staining at foot. A few pencil marks. In original printed grubby and chipped wraps cloth-taped to spine. Front wrap annotated in pencil. Four-page introduction entitled 'A PLAYWRIGHT'S WORKING LIBRARY.' Even considering the importance and interest of the theatrical collection, the high point is undoubtedly item 102: 'BLAKE, WILLIAM. ORIGINAL DRAWINGS IN WATER COLOURS and INDIA INK by the celebrated WILLIAM BLAKE (Pictor Ignotus).

Dimensions of paper 23 x 17 cm. White border of 0.25 cm. A little grubby and with slight silvering at base, but overall a very good impression. A striking head and shoulders shot, with a clean shaven young Wall, neatly dressed in evening wear with black bow tie, and wearing a white sailor's hat at an angle, staring straight at the camera, with glossy lips, eyebrows raised and deadpan expression. The words 'Max Wall' printed in bottom left-hand corner. The inscription reads 'To Peggy | Sincere good wishes | [signed] Max Wall | 1932'.

On one side of a piece of wove paper, 27.5 x 22 cm. Good, on lightly-aged paper, with some light off-setting of the text. An attractive piece of ephemera, with the text presented in a variety of types and point sizes. Reads 'CATHOLIC | EMANCIPATION. | [short thin-thick rule] | THE | HUSBANDMAN & VIPER. | [short thin-thick rule] A HUSBANDMAN found a Viper al- | most frozen to death; he took pity on | the poor Reptile, and placed it in his | bosom, where it soon recovered; and | its first act was to sting [last word in italics] its Deliverer. | The APPLICATION I leave to | Sir C- H-.

Printed on one side of a piece of blue card 9 x 11 cm. Good, with a little light spotting. Headed 'DISABLED PERSON', and made out to Miss L. Russell, with two dates and time of admission in manuscript on the reverse. A must for all Churchill completists.

8vo: 16 pp. Unbound and stitched. On brittle, discoloured paper chipping at extremities and with the first and last leaves detached from one another. All but the first four pages consisting of a 'list of Original Papers, published by resident members of the University during the years 1886 and 1887', compiled to indicate the 'extent to which the country is indebted to the endowments of the University'. Including works by J.J. Thomson, Francis Darwin, George Darwin. Scarce: no copy in the British Library and the only copy on COPAC at Cambridge University Library.

4to bifolium: 3 pp. Good, on lightly aged laid paper, with slight damage to second leaf caused by the breaking of the red wax seal, parts of which still adhere. Address, with black ink Salisbury postmark, on verso of second leaf. The 58 lines of text clear and entire. A chatty, spirited and interesting letter, casting valuable light on the doings of the better class of Hampshire society in Jane Austen's time. Addressing 'My Dear Mr. Jervoise' she begins by explaining that she 'wrote in such a hurry yesterday to save the Post, that I can scarcely know what I said'.

Letter: 12mo, 4 pp. Bifolium. Text clear and entire, but with the outer pages grubby. He has 'no wish to annoy other members of the Court family', so it will 'go no further'. 'It is cool of Miss Court to talk thhe confidence of her own home, when she made the statement to Mrs Bulkeley in her own drawing-room.' Suggests that Draper send 'the Postmistress' a 'reminder'. 'She is so accustomed to threatening letters from her creditors' lawyers that she possibly may disregard this.' Asks him to 'make her understand that withholding an apology may have sharp consequences'.

12mo, 3 pp. Very good on lightly aged paper. Asking whether Gladstone would consent to the placing of his name on the list of the Institute's Council, 'to fill one of the vacancies'. 'You would be of great service to us in so doing - and the calls on your time would not be numerous - about a dozen times a year'. Six lines in shorthand (by Gladstone?) on the reverse of the second leaf of the bifolium.

12mo, 4 pp, 40 lines. On slightly grubby and creased paper, with a couple of tiny closed tears. Paulet writes that he has been 'saying much in [Smith's] favor' to 'Sir W. Gage' [Admiral Sir William Hall Gage (1777-1864), a member of the Board of Admiralty]. Gage considers the certificate Paulet has given Smith 'of no use to you without your received from the Adm[ira]l. the appointment of Gunnery Officer and that you had better lose no time in applying to me for a certificate for the time that you were actually doing the duty of gunnery officer'. Paulet reckons this 'from the time of Mr.

One page, 12mo. Good, with blank second leaf of bifolium mounted on larger piece of card, which is docketed with biographical information. Right-hand side of leaf very slightly cropped, resulting in loss of last digit of year. Bold, clear signature. Reads 'Madam. | According to your request I beg to sign myself | Your obedt Servt | F. Cavendish'.

4to, 1 p. Good, though lightly aged and creased. He apologises for the liberty he takes in addressing Espinasse 'as one of the Benchers of Grays Inn', and hopes it is not 'wholly improper' for him 'to say a word in favor of Mr Nares, and [sic] old fellow Colegian [sic] of mine [Lockhart was educated at University College, Oxford], who is a candidate for the Chaplaincy of your Society'. Describes Nares as 'an honorable & learned man, a good divine, exceedingly well connected'. Considers that he 'will prove [...] an acquisition to the Society'.

12mo, 2 pp. Written crosswise on paper with the embossed letterhead of Croxteth Hall. Good, though lightly spotted and with small central spike hole. Folded twice, and a little worn along crease lines. She 'will not trouble him to send any more nos. of "Martin Chuzzlewit" as it has been sent her'. Asks for 'all the numbers which are out of "Combe Abbey" [to be] put by for her, & continued' She is from home where she wishes to have them sent -'. Combe Abbey was a seat of the Earls of Craven, but there is no record of an item on it published around the time of 'Martin Chuzzlewit'.