GEORGE

Both items in good condition, on lightly aged paper. Letter: 2pp., 12mo. The letter begins: 'Mrs. Kean has given me back possession of the two Plays. The Wife's Secret & The Trial of Love. & the advice of Mr. Coyne was that I should add them to the Dram[ati]c. Authors Society's list.' Under the circumstances, he asks whether Lacy would be 'desirous of printing them & if so what would be your arrangement?' He suggests a meeting the following day. Autograph prelims: 3pp., 4to. Bifolium, with bottom half of second leaf torn away.

2pp., 12mo. Bifolium. In good condition, on aged paper, with light glue stains on blank reverse of second leaf. Lovell writes in jaunty tones: 'When I quitted Town I left your incomparable Cardinal in the plenitude of his power & on my return I find him still in the ascendant & his glory undiminished! - Such a man belongs to posterity & my posterity are anxious to pay (?) [the question mark is Lovell's, the implication being that they want to get in to a performance without paying] their homage to him.

Printed in black on 4 x 7.5cm piece of card. Lightly aged and stained, with one indentation. Evidence on reverse of removal from a grey paper mount. Restrained in design, and reading 'G. BERNARD SHAW, | 29, FITZROY SQUARE, | W.' The 'G' and 'S' in Shaw's name with flourishes at head trailing to the right. Shaw lived at this address from 1887 to his marriage in 1898. Virginia Woolf lived there from 1907 to 1911. From a collection of material relating to Walter Crane, who was a member of the Fabian Society with Shaw, and possibly designed by him.

1p., 12mo. Bifolium. In good condition, on lightly-aged paper. He writes that 'he does not at present know of any among his acquaintance who may be in want of a proper Person to fill the situations alluded to in Mr Payne's Cards', but that he will 'bear in mind the application, in case a suitable opportunity should occur to him, of which he would avail himself with propriety'. Spencer's library, of which Thomas Frognall Dibdin had the care, forms the basis of the John Rylands Library in Manchester. Both Spencer and Thomas Payne (1752-1831) have entries in the Oxford DNB.

The three inscriptions are all on one side of an 18 x 16 cm leaf taken from an album. In good condition, lightly-aged. Given during the shooting of the RKO film 'The Saint in London' (1939), which Sanders starred in and Carstairs directed. Sanders writes, at the head of the page, 'To Anne | I want to see you in about 8 years time! | George Sanders | April 1939.' Beneath this is: 'Anne - let's make it seven! | John Paddy Carstairs: | '39.' And beneath Carstairs' inscription: 'Six years. X. | Tony Keys'. The recipient was the daughter off a cameraman at Twickenham Film Studios.

On 8 x 22 cm piece of paper. In fair condition, aged and creased, and laid down on piece of card. Note in a contemporary hand in red ink in the margin: 'George Combe the Phrenologist | (Holograph) [sic]'. With five emendations and deletions.

The four items in good condition, on lightly-aged paper. The first two items originally pinned together. The signature on the first letter clearly written out, the other three signatures more hurried. ONE: 8 February [1880]. 1p., 12mo. 'I am going to take a rest. Supposing I can give you a week (two sketches an evening) between Feb 21 & March 13th. What will you stand?' TWO: Signed undertaking. 1p., 12mo. Not addressed. Begins with quotation: 'Right you are says Moses'. States: 'This is an equivalent for booking you for 23rd. 7 performances'. THREE: 17 February [1880].

1p., 12mo. In good condition, lightly-aged. He writes that he has had 'a very fine p' sent to him, and asks if Pearson might accept it. 'If you dont care about it yourself you may have friends here to whom you might like to give it. Only, unluckily, I must have back the top'. He ends with a complaint regarding a 'Bronchial cough'.?>

49pp. In 4to notebook with red cloth spine and black cloth boards. Internally in good condition, lightly aged, in aged and worn covers. An alphabetical list, with entries covering two facing pages, divided into three columns: 'Name of Book', 'Description' and 'How disposed of'. Almost all the entries in the last column are 'H[enr]y Hall', but one item is recorded as being 'Sent to Julia Hall'. The serious library of an educated Englishman, with almost no fiction present. Nearly all the books date from the period 1770-1900, although 'Gloucestershire Visitation of 1623' is also present.

1p., 12mo. Bifolium. Addressed on second leaf 'To | Sr John Chetwood Barrtt'. On aged and worn paper. Neatly and attractively written out. Reads: 'Sr | I brought down from London the Prince's Patent for ye levyeing 3000 Markes in Cheshire due to his Royall Highness, as Earle of Chester on whic a Comis[si]on is issued out directed to you and Others for ye levyeing the Same which Comis[si]on I am oblig'd to acquaint you will be at Chester on Tuesday the first day of October next'.?>

1p., folio. In good condition, on lightly aged and creased paper with slight loss to top left-hand corner. Laid out in the typical fashion of the period, with embossed tax stamp in top left-hand corner, and Bayly's stamp as notary public on square of paper over wafer.

6pp., 12mo. Bifolium and single leaf. On aged and worn paper, with 4 cm closed tear to all three leaves. A highly interesting letter, illuminating Victorian Fleet Street and City of London practices. The author's signature is frustratingly illegible, but may well be that of sports journalist Charles William Alcock (1842-1907). The recipient is possibly James Clarke (d.1888), editor of The Christian World. The author opens the letter with the 'conclusions' he has arrived at regarding the 'various schemes' which he 'maturely reflected upon' in a discussion with Clarke the previous week.

2pp., 12mo. In good condition, on lightly-aged paper. Attached by one corner to a leaf from an autograph album. 23 lines of text in a difficult hand. He thanks him for his 'notice in L<?>, & for the long & valuable as well as kind & flattering notice of my Novels'. He considers that the review is 'written with great talent - & is altogether the best of the kind notices of these works which I can remember to have seen'. He invites him down to Knebworth and asks whether he has 'succeeded with Lord Malm[esbur]y'.

4pp., 12mo. Bifolium. In fair condition, but with damage at head of outer sides caused by removal from grey paper mount. While Seammen worked for him he found him to be 'good tempered, obliging & trustworthy - He left me last year owing to an illness which, at the time, precluded his having the same efficient control over the Household that he had hitherto exercised'. He explains the reason for making 'a change', and is sending 'an excellent Character with him, of 14 years, from Lord Ravensworth'.

The two prospectuses are uniform in design, and are both stapled pamphlets of 8pp., 4to, on shiny art paper. The second is in fair condition, lightly aged and worn, and the first is heavily worn, with the outer bifolium detached; both have rusted staples. The first has a two-page 'Summary of the Preface' and the second two pages of 'Extracts from Preface'. Both have two pages of contents, and two specimen pages, with the opinions of the press on the back page.

16pp., 12mo. Disbound and without covers. In good condition, on lightly-aged paper. Now uncommon.

16pp., 12mo. Disbound and without wraps. In good condition, on lightly-aged paper. Now uncommon.

15pp., 12mo. Disbound and without covers. In good condition, lightly-aged. Now uncommon.

Printed in black on one side of a piece of 11 x 7 cm card. In fair condition, lightly aged and worn. Text in a mixture of fonts and types characteristic of the period, with royal patent coat of arms. Text reads: 'Elliott's Long-Established Repository, and Temple of Fashion, No. 32, Rathbone Place, London, For Ladies' and Gentlemen's inimitable Head Dresses and Perruques, Patent Exact Imitation of Nature, The Hair appearing as if growing on the Skin, such as will deceive the eye of every Observer; and Ornamental Hair in all its Devices, of the First Fashion.

Printed on one side of a piece of 4to paper, with thick embossed decorative border in imitation of lace. In fair condition, on aged and worn paper, with closed tears to frail border. Royal crest at head printed in gold and other colours and also embossed. Headed: 'BUCKINGHAM PALACE. | MONDAY EVENING, 16th. JUNE, 1879.' Fourteen pieces are listed, by Mendelssohn, Liszt, Wagner (2), Gounod (2), Bizet, Max Bruch, Rossini (2), Ambroise Thomas, Massenet, Schumann and Cimarosa. Apart from Patti, Kellogg and Trebelli, the performers are 'Herr Henschel', 'Mr. W. H.

4pp., 12mo. Bifolium. In good condition, on lightly-aged paper. She apologises for troubling her 'with a few very important questions referring to the Biarritz life. I mean the Butcher's shop at Bayonne you spoke to the Baron about. Where does the dear man live? Also how have you settled to keep the meat fresh?' She asks for instructions so that she may inform her cook, 'a German who speaks a few words of french & a sort of nigger English'.

4to, 168 pp. Text clear and complete, in a number of different hands. Internally tight, on lightly-aged paper. In loose buff calf half-binding, with the front of the green cloth boards stamped in gilt with 'FEE BOOK [in scroll] | E. G. M. CARMICHAEL'. Every opening in a spread of seven columns across the two pages: Date, Solicitor, Name of Cause or Matter, Description, Fee, When paid, Remarks. Giving a rounded picture of the activities of a well-connected provincial solicitor. (Represented Prime Minister Stanley Baldwin - another Worcestershire man, M.P.

3pp., 12mo. Bifolium with mourning border. In good condition, lightly aged and worn. Recipient not named: addressed to 'Dear Sir'. She is sending 'one line' to tell him 'how greatly all of us like the window, which was put up in the Church according to your promise before Easter Day'. She praises the 'beauty & harmony of colour', and the 'noble religious dignity of the principal figures' of the window, with 'the careful delicate treatment of every detail'.

1p., 12mo. In good condition, on lightly-aged paper. Docketed: '20 August 1835 | Lord Auckland to R L'. Reads 'Lord Auckland would be much obliged to Mr Lambert if he would call here tomorrow soon after two o'clock -'.

29pp., 12mo. Disbound and without wraps. In fair condition, on lightly aged and worn paper. Attributed at end to 'G. J. H. | 20, COCKSPUR STREET, | LONDON, S.E.' Now uncommon.

51 + [1]pp., 12mo. Stapled, in printed brown wraps. Internally in fair condition, on aged paper; in worn and spotted wraps. A six-page preface, dated 'Trinity College, Cambridge, | 26th July, 1907.', begins: 'Many years ago I printed and circulated privately a set of questions on the manners and customs of savages designed to elicit information on the subject from persons who live or travel among uncivilised races. The present set of questions is a revised and enlarged edition of that work.

1p., 12mo. In stamped envelope addressed by Wood to 'J. T. Baron Esq | 18 Griffin St | Witton | Blackburn'. Writing in 'greatest haste' he explains that he does not know the address of the writer George Macdonald (1824-1905). 'If you address to him at Messrs Isbister & Co 56 Ludgate Hill, the letter will probably reach him'.

ii + 10pp., 8vo. Unbound and stitched. In fair condition, on aged paper. Ownership signature of 'R. G. Underdown' (Railway, General Manager) at head of first page. Passed 18 August 1882. The ten pages of the act are preceded by a two page 'Arrangement of Sections', from '1. Married women to be capable of holding property and of contracting as a feme sole.' to '27. Short title.' A document of considerable historical significance. Scarce: no copies located on COPAC.

Printed in black on one side of 13.5 x 18.5 cm card. Plate dimensions 11.5 x 16 cm. Aged and spotted. An attractive and elegant production with both illustration and text engraved. The illustration, with engraved signature of 'E Marolda' shows six putti playing with a string of foliage, with one in the bottom left-hand corner swathed in ribbon and standing beside an architectural feature. The text reads: 'Les Muses réunies prient ['Mr. George Bodleys' inserted in mansucript] de vouloir bien honorer de ['sa' inserted] presence le nouvel atelier de Sigr.

12pp., 4to. On the twelve leaves of a ruled notebook, stitched into buff wraps. Internally in good condition, in heavily-worn wraps, with 'G Cruikshank' in the same hand on the front cover. The entries are arranged in eight sections: 1811-1821 (61 items); 'No Date' (36 items); 1826-1830 (23 items); 1831-1840 (51 items); 1841-1850 (45 items); 1851-1861 (33 items); 1862-[1867] (7 items); and a final section of eight items from between 1811 and 1824. The penultimate section is headed '1862 to [blank]', indicating that the catalogue was a work in progress, and the latest items are dated 1867.