ENGRAVER

4pp., 12mo. 55 lines of text, written in a neat, clear hand. On bifolium, with second leaf neatly placed in paper windowpane mount. The letter begins: 'I herewith send the electrotype of the Trowel, [not present] which is I think a beautiful specimen of the peculiar but slow process.

1p., 4to. In good condition, on aged paper, laid down on a grey-paper mount. The letter is addressed 'Gentlemen'. In the first paragraph he explains that having received their letter, he sent 'Dr Clarkes Plates [...] to the Writing Engravers but have not as yet received them back'. He has sent the bearer of the present letter to find out when they will be done, and he has been told to tell them the answer he receives. The second paragraph reveals that the bearer of the letter is himself an engraver: 'I understand that he applied to you for the engraving of one of your Portrait Plates.

2pp., 12mo. In fair condition, on aged paper, with slight creasing and chipping at head. In answer to an enquiry, he states regarding 'the Portrait of the Marchioness of Abercorn' that 'though Mr Moon & I have not yet completed our arrangements I consider that the Plate is his property & not mine as you appear to have been informed'. He concludes by thanking him 'for the favorable opinion you are pleased to express both of the plate in question & the engraving'.

1p., 4to. Bifolium. Very good, on lightly-aged paper. Addressed on reverse of second leaf to 'James Elmes Esqre.' At the head of the letter Elmes has written: 'From J. Raphael Smith the celebrated mezzotinto Engraver | J Elmes', and down the bottom right-hand corner: 'From J. Raphael Smith, Painter in Crayons & Mezzotinto Engraver to Mr Elmes, with 2 proof prints | J. E'. At the foot of the page Elmes has identified 'Mr. Tooke' in the letter as 'Horne Tooke J.E.' Smith writes: 'Sir | I have sent you an impression of Sr.

1p., 4to. Bifolium. In very good condition, on lightly-aged paper. Addressed on reverse of second leaf 'To Mr: Pennant | Downing in Flintshire', with two postmarks, and carrying a fair impression of his seal, cracked but intact. The letter reads: 'Sr | The portrait of ye Admirable Crichton is very near finished - I shall send you a proof in a few Days - Shall be oblig'd to you - for what writing you propose under the Head - that I may get it done in theh neatest manner'.

2pp., 4to. 18 lines of text. In bifolium. Good, on aged and creased paper, with strip of page to which the letter was attached adhering. Addressed, with red wax seal, on reverse of second leaf, to 'R. Balmanno Esqre. | 3 Middle Temple Lane Temple'. He begins: 'Having some communication last week with Mr. Charles Heath in the course of conversation he was regretting that he could not procure any proofs of plates engaraved by Mr. Raimbach - now as your Kindness gained me what I wished of his performance with an obliging offer of something more it occurred to me to solicit fom Mr.

1p., 16mo. In good condition, on aged paper. Addressed to 'David Roberts Esqre. R.A.' The letter reads: 'Sir | I will relinquish all claim on and interest in the plate I am engraving fom your picture of Jerusalem and make it over unconditionally to you on your paying me the sum of Fifty pounds. I hereby bind myself to this offer until tomorrow'.

On one side of an 8 x 18cm piece of paper, with counting house spike hole in centre. In very good condition, lightly-aged, and neatly placed in a windowpane mount of 26 x 20.5 cm. With embossed Four Pence government stamp. Neatly and elegantly written out, it reads: 'Janry: 23 1789. Recvd. of Ald: Boydell Fifty Pounds upon acct: of Engraving a Print of The Royal Children after Mr: Copley | Francis Bartolozzi | 50. 0'.

On one side of piece of 9 x 14cm paper. In good condition, lightly-aged and with slight spotting, neatly placed in a windowpane mount of 21 x 25cm. Reads: 'Il Bartolozzi fa i suoi complimenti al Sigr. Moltino, [sic] e lo pregha di voler mandare allo stampatore due altre mani di carta di francia, il più presto possible, e di farmi tenere il conto della carta, scusi Il incomodo'.

Text: 2pp., foolscap 8vo (35 x 20.5cm.). Engraving: 12 x 16cm with corners clipped. Both items in fair condition, on aged paper. The text is cropped at the head, through a royal crest, and has rounded corners at the head and trimmed corners at the foot. The engraving has traces of grey paper mount on reverse. The text has lithograph illustrations of two side-views of four-wheel carriages with the drag applied, beneath the cropped crest and above the title 'WRIGHT'S PATENT DRAG.' Text consists of around 60 lines in copperplate.

The two items are in very good condition, on lightly aged paper. Item One: Secretarial Letter, in French, by 'C Vaublanc', Vincent-Marie Viénot, Count of Vaublanc (1756-1845), 'Le Ministre Secretaire d'Etat de L'Intérieur' [French Minister of the Interior]. Paris, 13 April 1816. He is sending the 'fac simile De la Lettre de notre Infortunée Reine', and in order to dispel any doubts as to authenticity has initialled the foot of the third page.

2pp., 12mo. Bifolium. Good, on lightly-aged paper, with reverse of second leaf laid down on part of leaf removed from album. Addressed to 'Fredk Chapman Esq', the letter reads: 'My dear Sir, | Will you hear what Mr Swaine [sic] (long since principal engraver upon Punch) has to say & if you can serve him you will oblige | Yours very truly | Mark Lemon'.

In black and white. Dimensions of paper 15 x 20 cm; dmensions of plate 13.5 x 18.5 cm. In good condition, lightly-aged. Cameron's actual signature ('John Cameron') is in blue ink in the bottom right-hand corner of the card; his facsimile signature is in the bottom left-hand corner of the print, with 'Junk Shop | in Chelsea' in the bottom right-hand corner. A detailed, cartoony image (with Ronald Searle undertones), depicting a stretch of three houses in a terraced street, with a number of customers rooting through junk in front of a corner shop.

Both prints in very good condition. David Teniers the Elder: Dimensions of paper 22 x 17.5; dimensions of plate 18 x 14 cm. Captioned 'DAVID TENIERS SENIOR' and numbered 26. Brief biography in French beneath image, and 'P. V. Mol pinxit P. V. Leysebetten sculp'. David Teniers the Younger: Dimensions of page 20.5 x 15.5 cm; dimensions of plate 16.5 x 11.5 cm. Captioned 'DAVID TENIERS' and numbered 58. Short biography in French, followed by: 'Dav. Teniers pinxit Pet. de Iode sculpsit Io. Meyssens excudie.'

3pp., 4to. Fair, on lightly-aged paper, with slight smudging to outer margins of both leaves. Addressed to 'My dear Jack'. He is pleased to have heard from Driberg, but disappointed that there is 'no immediate chance' of seeing him, as he has not 'strayed from home for moons.

Original hand-coloured engraving, two hundred years old. Landscape 8vo, with the dimensions of the plate 19 x 24 cm, on paper 20 x 27 cm. In fair condition, on lightly-aged paper, with smudge to top left-hand corner (not affecting the image). A striking and attractive print, tastefully coloured, showing a boat filled with attendants, dwarfed by the Hindu goddess Kali (the Black One), who is garlanded with skulls and wielding a sword in one of her four arms, with a temple in the background.

2pp., 12mo. In fair condition, on lightly-aged paper, with a couple of small spots of glue from mount. Numbered in another hand at the foot of the second page. He writes: 'The Chalcographic Soicety meet at my house on Friday evening next 21st inst | If you can favor me with your company on that evening it will give me great pleasure.' For information about the Chalcographic Society, founded in 1807, see Dennis M. Read's biography of 'R. H. Cromek' (2011).

Plate: Portrait of 'Peter Morris, M.D. | Printed at the Ballantyne Press'. 'Painted by John Watson. Engraved in alto relievo by W. Lizars.' Dimensions of plate 10.5 x 9.5cm., on 12mo leaf. The frontispiece to the first volume of the 1819 Ballantyne edition of Lockhart's 'Peter's Letters to his Kinsfolk'. In fair condition, on foxed paper. Letter: 4pp., 12mo. On bifolium. Fair, on aged paper, with remains of stub adhering to margin.

2pp., 16mo. On bifolium. Good, on lightly-aged paper. After presenting his respects, Lane states that he'regrets that he is so engaged for three or four months that he must not undertake any more - / He has found the copying miniatures so injurious to his eyes and the drawings so unsatisfactory in the printing that he is at all times unwilling to engage in very small Drawings -'. He concludes by thanking her for 'her most kind & gratifying note'.

3pp., 12mo. Good, on lightly-aged paper. A friend of Lupton's 'has just arrived from Paris with a few choice matters, among others is as I understand an extraordinary Collection of Autographs'. Lupton told his friend that Trench was 'no buyer, but from your knowledge of such matters you could advise him'. The autographs 'consist of official documents connected with the Custom House & Police from the time of the first revolution (1790) to the present date, and about a hundred letters'.

4pp., 12mo. On bifolium with mourning border. 36 lines of text. Good, on aged paper. She fears she has appeared 'most ungracious & unthankful' for not acknowledging his 'kind present of two very pretty and useful books'. She hope he will excuse her, as she 'received them in the country, whither I had gone to recover from a sharp illness'. Since her return 'the dangerous illness of a dear friend' has left her with 'neither thought nor leisure'. She will read the books carefully, and as she meditates 'a neighbourly visit to my good friends Mr & Mrs Cunningham I hope to meet you'.

4pp., 12mo. Fair, on lightly-aged paper. Addressed to 'My dear friend', and with the name of the recipient obliterated from the valediction: 'Will you give my sincere and grateful remembrances to your noble hearted husband? and believe me | dear <...> | Every affectionately, | [signed] Charles Swain'. He can put off 'the evil day' no longer, and must now 'give in to circumstances' and reluctantly inform her that he cannot come and visit.

On watermarked paper roughly 13 x 20.5 cm. Dimensions of image 9 x 13 cm. With plate mark. Fair, on lightly-aged paper. Loosely attached to brown mount. Rare eighteenth-century cricket print from the June 1793 issue of the 'Sporting Magazine'. Cardus & Arlott state, in their 'Noblest Game' (1969), that 'This print, once barely considered, has lately become rare'.

The proof itself is in good condition, on lightly-aged paper, 22 x 14 cm. Dimensions of image roughly 10.5 x 7 cm. Mounted on the original foxed and aged paper, 43 x 29 cm, with wear to extremities, carrying Fisher's inscription in pencil: 'L Stocks Esqr with S Fisher's Comts'. Oval vignette, showing what appears to be a ruined Norman abbey, with stone staircase and high window, a skull, a sword, a helmet, a stork and a key in rushes on water in foreground. Possibly one of the enravings from Leitch Ritchie's 'Ireland, Picturesque and Romantic' (London: Longmans, 1837-8).

The proof itself is in good condition, on lightly-aged paper, 24 x 16 cm. Dimensions of image roughly 12 x 10 cm. Mounted on the original foxed and aged paper, 43 x 29 cm, with Fisher's inscription in pencil: 'Bantry Bay Cork. L Stocks Esqr with S Fisher's Comts'. Oval vignette, giving tasteful view from hill, with soldiers and women, down into the bay, with mountains behind. The engraving appeared in Leitch Ritchie's 'Ireland, Picturesque and Romantic' (London: Longmans, 1837-8).

Printed on the recto of the first leaf of a bifolium. Leaf dimensions 29 x 23.5 cm. Clear and complete. Grubby, and with closed tears to folds and slight damp staining. An attractive production. Ornate heading, with engraved portrait of Minerva in circular medallion (5.5 cm diameter) surrounded by laurel leaves, 'Drawn & Engd. by W. H. Lizars'. Text engraved in copperplate. Reads (with manuscript part in square brackets): 'Edinburgh [23d. January] 18[34,] | At a meeting of the Society held here on the [22d.

4to. [iv] + 142 pp. Frontispiece and 136 plates, one in colour and the rest in black and white, with a further six illustrations at end in section entitled 'Tit-Bits of George Baxter'. A tight copy, in original worn quarter-binding, with black calf spine (with 6 cm split at head of rear hinge) and grey cloth bevelled-edged covers. Marbled endpapers split at hinges. The first and last few leaves have slight damp staining to the extremities. Text and plates printed on the same art paper, and consequently a heavy volume.

National Portrait Gallery no: NPG D913 (only acquired in 1966). Dimensions of paper roughly nineteen and a half inches by fourteen wide. Dimensions of print roughly seventeen and a half inches by thirteen and three-quarters wide. Backed by a piece of cream card. Heavily aged and spotted, and with one small worm hole. Slight loss to lower right-hand corner, not affecting print. Closed tears to mount. Apparently printed before the name, and very likely a proof.

4to: 48 + [3] pp of letterpress, with additional leaf after title of 'Errata of Letter Press' and 'Errata in Plates'. Twenty numbered plates (the first two transposed), including one fold-out, and a final seventeen full-page unnumbered plates ('Examples'). Apparently complete. In original brown quarter binding, with cloth spine and paper boards. Ownership inscription of 'Lady Rolle' (1796-1885, born Louisa Barbara Trefusis) on front board. Text clear and complete. On aged and lightly-spotted paper, with wear to extremities and wraps, and cloth spine torn and worn.

Both 12mo: 4 pp. Item 1 (21 May) Text clear and entire. On aged paper with small unobtrusive spike holes through both leaves. Slightly manic letter, casting light on the relationship between author, printer and engraver in the Victorian period. Tayler lists four 'plates for a chapter on the Essex Martyrs' which Leonard Seeley of Thames Ditton, who is printing and publishing Tayler's book 'Memorials of the English Martyrs' (Seeleys, 1853), has not yet received from Williams. Suggests other engravings for the 'last chapter'. 'It has occurred to me that the plate in Foxe 7th.