ENGLISH

4pp., 12mo. Bifolium with mourning border. In good condition, lightly aged. Her engagements will keep her in Scotland for three weeks, after which she intends to 'return direct to London'. Sheffield is too far out of her way, and would 'prove tiresome & expensive'. Should she visit Manchester 'at Easter or Whitsuntide' she would have no objection to performing in Sheffield for a couple of nights.

2pp., 12mo. In good condition, lightly aged. She asks for a 'Private Box at your Theatre on Wednesday evening if your new play of "John Saville" [sic] is acted.' Rev. James White's 'John Savile of Haysted' was performed in London in November 1847.

8pp., 12mo. Text complete on aged and worn paper. A charming and high-spirited description of life in the provincial theatre in Victorian England, in better than average verse showing the influence of Byron's humorous poetry.

1p., 12mo. In fair condition, on aged and worn paper. He has had a conversation with 'Tomkins', and as a consequence has 'made a few alterations in the last scene of the "Hulk"'. He asks him to read the last scene and 'manage, if possible, to get the Prompter's Copy set right before the reading of the Piece'. He feels his changes make the play 'more original, and more likely to render the Piece effective'. With postscript. 'The Haunted Hulk', a Nautical Drama in two Acts was performed at the Adelphi in 1831.

On 6 x 11 cm piece of paper., torn from the foot of a leaf. In good condition, lightly aged. Reads: 'Mr Martin sends kind wishes with Yours | Very affectionately | Helena Martin. | 31 Onslow Square.' The reverse reads: '[...] attend to <?> William's little ones are all laid up with scarlet fever, so there is no [...]'.

"One of the top [literary] agents in London"The extensive correspondence, business and personal, between Elaine Greene and Elaine Greene Literary Agency, and R.P. Lister [Richard Percival Lister], travel-writer, novelist, poet, contributor to periodicals, and eventually friend. He published extensively in the USA. As well as the UK.Elaine Greene to Lister: Twenty-five (25) Typed Letters and Notes Signed ("Elaine Greene" becomes a cordial "Elaine"), total 27pp., 8vo and 4to, 14 Dec. 1962-10 April 1969.

The four letters in good condition, on lightly-aged paper. Also present are carbons of four letters from Pitt to Household (three from 1974 and one from 1981). ONE: ALS. 11 April 1974. 2pp., 4to. He is delighted 'to be appreciated by a fellow craftsman' and is sending a copy of his 'Time to Kill', which he asks him to accept, as he has 'a number of them taking up useful shelf room'. TWO: TLS. 24 April 1974. 2pp., 4to.

One page each, note and poem, creased, chipped, small closed tears, texts clear and complete. Letter: "Many thanks for your favour of the 12th inst. I have pleasure in enclosing the lines I undertook to send you & hope you will like them. If you will kindly let me know approximate date of sale I will try to get them published with an explanatory note as to their object." Typed poem, 4 verses, commencing "O, let us not, while many voices plead, | And nearer claims confront us day by day [...]". Apparently unpublished.

107pp., 4to. With each of the play's three acts bound with brass studs in separate grey paper wraps, with typed labels on covers. Internally in good condition, with light signs of age, in aged and worn bindings. With a handful of minor manuscript corrections. ' Aimé des femmes! Pièce en trois actes' by Maurice Hennequin and Georges Mitchell, was published in Paris in 1922..There is no record of Burton's adaptation having been published.

Calling card, 7.5 x 4.5cm, sl. grubby (possibly fingerprints), Printed "Mr M. Faraday.\\Royal Institution", and on reverse, in Faraday's hand, Richard Owen Esq || College of Surgeons | Lincolns Inn Fields ' with M Faraday's Compts".

Collier was the author of a number of melodramas and farces in the period between the Boer War and the Great War, including one written in conjunction with F. H. Dudley, but little is to be discovered about him, with no mention of these three titles. All three items in fair condition, on aged paper, in aged and worn bindings. ONE: '"In the Hands of the Mormons" Or "The Mormon Peril" A Drama in FOUR acts written by Hal Collier'. [1] + 45pp., 4to. Stitched into grey paper wraps. With pencil emendations throughout, including extensive deletions.

242pp., 8vo. With autograph emendations throughout. Unbound and stapled into chapters. In good condition, with light aging and rusting of staples. Typed title-page, with the book said to be written 'By Richard Hearne. Assisted (and sometimes hindered) by interpolations from "Mr.

86pp., 4to. With each of the three acts bound into separate grey wraps, with typed labels on covers. Internally in good condition, on aged paper, in worn and aged wraps. This unpublished anonymous translation predates the one by Sara Tracy Barrows, with an introduction by Ludwig Lewisohn, published in New York by Doubleday in 1916. There is no record of an English production.

106pp., 4to. In good condition internally, on lightly-aged paper, in worn grey-cloth binding, with large and wordy French label on front cover. Rubens's score is not present. The text is preceded by twelve pages carrying: a 'List of Scenery and Properties', 'a 'Scene Plot', 'Light Plots', 'Property Plot', 'Hand Properties', 'Prompter's Cues' and 'Costumes and Wigs'. Possibly a prompt copy, with a number of passages deleted, and a few minor emendations made, in pencil, as well as call notes typed on the versos of some leaves, opposite the relevant text.

De Cordova was a voluminous author (see his entry in Who Was Who). Several of the couple's works were adapted for the cinema during the silent era. Of the four items present here, 'The Man in Mourning' was published in the Green Book Magazine, February 1916, and de Cordova's entry in Who's Who 1914 lists 'The Earthquake' among 'seven sensational dramas for the London Hippodrome'. No record has been found of the other two pieces. Four duplicated typescripts. In fair condition, with some wear and aging. ONE: '"The Earthquake" A Dramatic Sketch by Alicia Ramsey and Rudolph de Cordova'. A play.

39pp., 8vo. On good thick Whatman paper, dated 1874, in luxurious black embossed leather binding by J. Y. Knight & Co. of Leeds and London, with brass lock by Bramah (lacking key). In very good condition, in worn binding. Stamped in gilt on front cover is 'PRIVATE MEMA. | A. H. PAWSON'. On the first page Wedgwood has written: 'Cicely Veronica Wedgwood. | Her Book. | presented to me in March 1933 | by | A. H. P. | born 20th. July 1910 | educated | Norland Place School. 1915-1926. | Lady Margaret Hall. 1928-1931 | London School of Economics. 1932-5'.

Brook's 1949 production of 'Dark of the Moon' was praised by the critics, and favourably compared with a rival production of 'Oaklahoma!' 'I'm not sure', Brook wrote, 'whether it's a good thing to be original in the theatre. The critics slated my Romeo and Juliet for being too original, but they applaud the quality in Dark of the Moon.' J. C. Trewin, in his 1971 biography of Brook, states that the play had attracted Brook's attention 'when he saw pictures in an American magazine and observed with rapture that there were witches in the cast.

126pp., 4to. (Act 1 has 55pp. and Act 3 has 71pp.) Each act bound in grey card covers. Worn and aged, with the remains of the purple ribbon used to bind the leaves into their covers. A heavily reworked typescript. As is customary, the typed text of the play is on the rectos only, but leaves with additional typed and manuscript (presumably autograph) text have been inserted. Numerous manuscript additions and deletions to the text on the rectos, with additional typed passages on pieces of paper laid down onto the facing versos, which also carry further manuscript changes.

137pp., 4to. Typed text on rectos only. Bound with red ribbon into red wraps, with typed label on front cover. In fair condition, aged and worn, in heavily-aged wraps. Pencil annotations to the list of characters. Bound in before the beginning of almost every scene is a manuscript leaf carrying a page giving the layout of the set. The label of Joan Ling Ltd, Gloucester House, 19 Charing Cross Road, WC2, is pasted over Knoblock's typed address 21 Ashley Place on the title page. Knoblock's papers are at his alma mater Harvard.

[1] + 115 + [1]pp., 8vo. Printed on rectos only. Bound by two metal studs in yellow card covers. In fair condition, with moderate signs of age and wear. Apparent ownership inscription ('Vickers Staniforth') at head of title page, beside a number '3' in red ink. Never produced and unpublished. 'The Vicar's Wife' was Bennett's first film script, and was written for Ned Sherrin, who was working at the time for Columbia Pictures. According to Kara McKechnie ('Alan Bennett', MUP, 2007), it 'pre-dates his first stage play by a few years, and is simultaneous with 'On the Margin' for television'.

1p. 8vo. In good condition, on lightly aged and worn paper. With envelope addressed by Ambler to Pitt at Kennister in Somerset. Also present are copies of two letters to Ambler from Pitt, dated 2 January and 20 February 1980. In the first Pitt congratulates Ambler on the receipt of an OBE, reminds him of their previous correspondence through Peter Janson-Smith, and sends 'Part I of my trilogy on the North African campaign' ('If it gives you one tenth of the enjoyment I get from every one of your books, it will have been worth writing.').

2pp., 12mo. In fair condition, lightly aged and worn. He is 'very much disgusted and indignant against Mr. Clarke for his Impertinence' in calling on the recipient, and has 'expressed as much to him'. He discussed with Clarke the question of the number of gentlemen contacting him about the matter, and hoped to put Clarke in touch with the recipient. The letter concludes: 'It seems Mr. Clarke, when I was out of the Room, took up your Letter addressed to me, and copied your name and direction, a most unwarrantable and unjustifiable act.'

3pp., 12mo. Writing in a difficult hand, he thanks him for his very curious & interesting letter respecting Chr. Smart, of whose birthplace I had been previously ignorant, tho' his name was not unknown to me in connection with Horace'.

Both in fair condition, lightly aged and worn. ONE: He thanks him for offering to translate his book ('The Political Future of England'), but considers his knowledge of English law too shaky to permit him to give any encouragement. He suggests that the recipient come to an arrangement with 'Mr. Abraham Hayward, Queen's Counsel, 1 King's Bench Walk, Temple', who is acting for de Montalembert in the matter.

On 14 x 12.5 cm piece of card, with the cropped printed scorecard (completed in pencil in childish hand) on one side, and the autograph signatures on the otherwise-blank reverse. In good condition, lightly-aged. The five signatures are bold and strong in black ink, and read: 'P. Mead | Ed Tyldesley | E Hendren | J W Hearne | J W Hitch'.

3pp., 4to. Bifolium. On aged and worn paper. Arnald's appeal begins: Appealing to the 'known humanity' of Lawrence and the Council, Arnald writes on behalf of 'Mrs. Abigail Whitcombe, widow of Mr. Thos. Whitcombe late of Clarendon Square, marine painter, and for 40. Years an annual contributor to the Exhibition of the Royal Academy', who has previously received assistance, but is now 'almost totally deprived of sight, and otherwise afflicted', and is dependent on 'the assistance afforded by friends on whom she has no Claim'.

Robin Wallace (1897-1952) was a well-known British painter in oils and watercolours, particularly noted for his landscapes. He was born in Kendal, Westmoreland, descended from a long line of hand-loom weavers. After working for local nurserymen, he served in the Royal Marines in the First World War. Soon after the war he set off for London, where he showed his work to Vicat Cole, principal of the Byam Shaw Vicat Cole School of Art in Kensington, who offered to teach him for nothing. His scholarship was renewed until 1926, the year of his first show, at the Rembrandt Gallery in Liverpool.

2 volumes. Both internally in good condition, with light signs of age, and both in worn grey cloth bindings with marbled boards.ONE: 17 May 1861 to 22 July 1861, then a couple of entries for 1867, and then from 1 January 1868 to 22 May 1870. 115pp., 4to. At rear, three pages, with the following headings: 'Cashe [sic] received From 16 October 1865', 'Nineaux' and 'Account with Lutz the 22 of Febure [sic]'.TWO: 14 August 1876 to 23 September 1880. 136pp., small 4to.

English electronic engineer (1849-1945), inventor of thermionic valve. Widely considered to be 'the founder of electronics'. All three items good though grubby and on slightly discoloured paper. Item three dog-eared and grubby in top left-hand corner. All signed 'J. A. Fleming' and bearing the Society's stamp. ITEM ONE (two pages, quarto, 15 November 1915, University College, Gower St, to Wood, docketed): On the subject of a paper he proposes to give to the Society entitled 'The Organisation of Scientific Research'.

The two signatures are on one side of a 14 x 18cm leaf of cream paper removed from an album. In good condition, lightly aged and worn, with laid down. Good clear examples. Beecham's signature 'Thomas Beecham' is above that of 'Ethel Frank'. Probably given on Franks first visit to Britain in 1921. Small magazine cutting of photograph of three musicians laid down on reverse.