AUTOGRAPH

1p., 12mo. In good condition, on aged paper, with a closed tear along a fold line unobtrusively repaired with archival tape. Addressed at foot to 'F. Palgrave Esqr' (he would not be knighted until 1832), beside which Palgrave has written: 'Mr. Crofton Croker. | Author of Fairy Legends of the South of Ireland &c.' The text of the letter reads: 'My dear Sir | I ought to apologize for not replying to your invitation for Wednesday evening last. - My excuse must be that I did not return to town until yesterday and that your note reached me on Friday at Brighton.'

6pp., foolscap 8vo. On two bifoliums, placed loosely one inside the other. In good condition, on lightly-aged paper.

3pp., 4to. In very good condition, on lightly-aged paper. With stamped envelope, bearing Bhavnagar and Harrow postmarks, with typed address to 'R. T. Hughes, Esq. | Aboyne, | Harrow-on-the-Hill. | England.' He begins by thanking Hughes for the 'very pleasant surprise' of 'the unique photograph'. 'It is very kind of you and Mrs.

1p., landscape 12mo. In fair condition, on aged and lightly-creased paper. He begins: 'This is just a line to say how very good I thought your answer to Quintin Hogg.' He next turns to his desire for a meeting and 'walk in the afternoon', although he knows 'this is a long way off and you are very busy'. He ends with transport information and the news: 'However I am going away on Monday for 3 weeks.' The valediction is in Murray's autograph: 'Yours sincerely, | G. M.'

Printed on one side of a piece of 76 x 55 cm paper. In good condition, lightly-aged. At head of document the words 'Official Notice' and the royal crest. Folded into a 22 x 9.5 cm packet, docketted on reverse 'Statutory Notice | and | Workshop and Factory Acts'. The document begins with 'Notices. | To be filled up and signed by the Occupier.', followed by the 'Abstract', in two columns of small type, under the sub-headings 'Sanitation", 'Accidents', 'Employment and Meal Hours', 'Holidays', 'Outworkers', 'Piece Work.

1p., 12mo. Bifolium. Good, on aged paper. The letter reads: 'Dear Daffarn | I will be in any time in the afternoon after 2.30 on Friday, & will be pleased to see you and your friend Watson. | The work goes on slowly but I think I will finish in time.'

1p., 12mo. Bifolium. In good condition, on aged paper. The letter reads: 'Dear Madam | Thank you for your reminder about reading the paper tomorrow night. | I will be at the Guild before 8, and get the slides.' Strang was Master of the Art Workers' Guild.

1p., 16mo. On bifolium. In fair condition, on aged and lightly-spotted paper. The note reads: 'Mr. Webster in reply to Mr. Gotta's note desires to say, with his compliments, that his Picture, in the Royal Academy, is engaged.'

4pp., 12mo. Bifolium. Good, on lightly-aged paper. Docketted by recipient 'Mr. Robinson on my Spanish portraits.' A pencil note identifies the writer as 'Hy Reeve', perhaps the journalist Henry Reeve (1813-1895).

3pp., 16mo. Bifolium. Good, on lightly-aged paper. He is posting a watch, which he describes as his 'small offering to Michael'. 'Please tell your husband that my wife is honestly much pleased with the excellent drawing of my "honest phiz", as Calverley calls it, though from her intimate knowledge of the original she thinks certain points open to criticism.' He continues in the same vein on the same topic for a page.

1p., 4to. In good condition, on aged paper, laid down on a grey-paper mount. The letter is addressed 'Gentlemen'. In the first paragraph he explains that having received their letter, he sent 'Dr Clarkes Plates [...] to the Writing Engravers but have not as yet received them back'. He has sent the bearer of the present letter to find out when they will be done, and he has been told to tell them the answer he receives. The second paragraph reveals that the bearer of the letter is himself an engraver: 'I understand that he applied to you for the engraving of one of your Portrait Plates.

1p., 12mo. Bifolium. In fair condition, on aged paper with damp stain along one edge. Addressed on reverse of second leaf to 'Mr. Scott'. He is sending 'by Bearer 4 sorts of french paper, 2 sheets of each, which you will be so good as to see that it is properly prepared before it is used - The grand Eagle with the watermarks will require a great deal of brushing with a hard brush as I think that many of the specks will brush off they being chiefly superficial'.

The two items in good condition, on lightly-aged paper. ONE: 1p., 4to. Regarding the loan by him to Hubbard of drawings, and delivery options for them. TWO: 1p., 12mo. 'You vanished very suddenly after our Meeting and I did not have the chance of discussing arrangements with you. Will you please let me know what time it passes through Tonbridge on the following Monday.' He hopes to bring two more pictures 'straight to Albany from Charing Cross, arriving about mid-day? If you are not to be there I will take them to the Royal Academy and deliver them in the afternoon.'

3pp., 12mo. Bifolium. In fair condition, on lightly aged and creased paper. He apologises for the 'very short letter' and 'long delay in answering'. He reports that 'the rings came in your order but I have not had a chance to use them and will not have now until next Spring or Summer'. He is sending money as requested. 'My three plates of the trees came very nicely - one has just gone to the "Studio" so you may see it there later on.' He will write again when he has time for 'a rational note'.

1p., landscape 12mo. In fair condition, on aged and lightly-stained paper. The note reads: 'Dr Sir, | I shall do myself the pleasure of waiting upon you the beginning of the week, when I hope to have something interesting to shew you for Mr Boydell - believe me | Dr Sir | Yrs truly | J Hassell'.

2pp., 12mo. In fair condition, on aged paper, with slight creasing and chipping at head. In answer to an enquiry, he states regarding 'the Portrait of the Marchioness of Abercorn' that 'though Mr Moon & I have not yet completed our arrangements I consider that the Plate is his property & not mine as you appear to have been informed'. He concludes by thanking him 'for the favorable opinion you are pleased to express both of the plate in question & the engraving'.

1p., landscape 12mo. Very good, on lightly-aged paper. The first paragraph reads: 'Dear Mr Pavière, | I will look carefully at the prints you send in (as, indeed, & of course, at all of them), and hope you may be successful at the election. The whole of the members will this year, at last, express their opinon on the candidates work, but the final decision rests, as it must under the charter, with the Council.' In the second paragraph he expresses pleasure that 'you are interesting your gallery in prints'.

2pp., 16mo. Bifolium. 21 lines of text. In good condition, on lightly-aged paper. As Doubleday has not 'sent the last', he has 'done your 3rd Cut of "glorious Apollo" from the print alone endeavouring to give the antique style as faithfully as I could.' He thanks him for his 'bit about the "archaic" term', and is certain 'that that [last word underlined] - like many other derivations from Greek & Latin roots, are most frequently used improperly[. T]he taste for hard words is certainly on the increase among all classes - from the advertising tailor upwards.'

1p., 4to. Good, on aged paper. The letter begins: 'Sir | I shew to you my last little effort which is a Copy from Vertues large Print after the Picture by Holbein now hanging in the Council Chamber of Bridewell Hospital'.( A note at the foot of the page reads: 'The above was engraved for the Purpose of Illustrating Pennant Walpole &c'. He notes that the print (not present) was 'engraved as the companion to the last Print I sent you.

1p., 12mo. In fair condition, on aged paper, with traces of mount adhering to the blank reverse. In an apparent attempt to drum up business, Skelton writes:: 'In consequence of your suggestion I presume to request the favor of you to receive a few of my engraved Portraits, to present to the Noblemen & Gentlemen, Members of the Athenaeum Club, and shall be gratified if the enclosed may prove acceptable.'

1p., 12mo. In fair condition, on aged and worn paper. Casting an interesting light on the practicalities of Victorian engraving. Roden begins: 'I have had an answer from Mr. Frith who is willing that I should engrave his picture[,] he cannot however get it me for 3 years, the time I mentioned.' Frith has mentioned a copy to Roden, which will cost him sixty guineas, 'and the purchaser consents to me having the original "now and then"'. He ends with an appeal for the recipient's advice.

3pp., 12mo. Bifolium. Good, on lightly-aged paper. An excellent and surprising letter. Lupton begins by saying that he is happy to comply with Mrs Osbornes request for 'two of my Cartes, one for yourself, the other for your Boy! My God Son: who I am glad to know is so well placed in the world. O!

1p., small 4to. In fair condition, on aged and lightly-stained paper. Addressed on reverse to 'Henry Howard Esq R.A. Secy | Royal Academy | Somerset House'. There is no message to Howard, the text only consisting of Bromley's titles: 'No 1 | Head of Juno, Antique, in possession of G Bankes Esqr. Engraved for the Dilettante Society - | No 2 | A Caryatides, being one of the Elgin Marbles | Engraved for the Trustees of the British Museum -'. The two engravings were nos. 945 and 946 in the Royal Academy's 'Ancient Academy' of 1833 (see Literary Gazette, 15 June 1833).

1p., 12mo. Good, on lightly-aged paper. 'Allow me to thank you and through you the members of the Hertfordshire Arts Society for your kind congratulations upon the honour the King confers upon me and upon the Gallery in the work of which I am privileged to assist'.

4pp., 12mo. Bifolium. On aged paper, with a patch of damp staining across both leaves. He should be happy to accept the 'kind invitation', 'if it were not that I believe I am to be the Guest of your Honorary Secretary Dr. Rice Oxley on this occasion'. He hopes that 'Gipsy Hall will be the proper to come to in either case'. He requires 'certain particulars', and will be writing to Oxley regarding 'the ability of the lantern man to obtain fine definition - linear definition I mean'.

2pp., 12mo. In good condition, on lightly-aged paper. She begins: 'I felt much gratified by yr. kind attention to my request, with regard to my lithographs; I should have sent you 2 or 3 more copies immediately, had I had them by me, in the hope that you might be able to part with them, before the season at Southwold was quite over, - I now take the liberty of charging you with 2 more copies'. She invites Mrs Thompson to visit, and states that her husband will return in three weeks from 'a miss[ionar]y. excursion to the islands of Guernsey &c'.

1p., 12mo. In good condition, on lightly-aged paper. He writes to apologise that he 'cannot get away to see the Holbein' at the previously arranged time, because he has a meeting with 'my accounting officer'. He suggests an alternative time, and apologises 'heartily for my mistake'.

3pp., 12mo. Bifolium. Good, on lightly-aged paper, with minor traces of mount to the corners of the blank reverse of the second leaf. The letter begins: 'Dear Gilbert | Thomas told me yesterday - at your gallery - that he had heard you had an attack of rheumatic fever'. He hopes that this is not true, as it is 'a most painful complaint', adding: 'I beg that you will give me a line as soon as you feel well, which we al must [hope] will be very soon'.

1p., 4to. In good condition, on lightly-aged paper, with traces of mount adhering to the blank reverse. Docketted: 'fo 369 | G F'. He asks to be sent 'the following goods of the very best quality by the next Oxford Van which leaves daily Old Change about one O Clock.' Four items are listed: various reams of 'drawing Atlas', 'drawing Elephant', 'Plate Elephant' and 'the best & largest letter press demy'. Also '2 quires of the best Plate French Grand Eagles'

2pp., 12mo. Bifolium. In very good condition, neatly placed by the second leaf in a windowpane mount. He has 'received an intimation' that his picture is in Bond Street ('from whence I must fetch it'), and is writing to say that he has 'two Pictures by my Father (one very small but a beautiful little bit) the other the Peak in Derbyshire; a Landscape by Smith of Chichester & a copy of mine after Liverseege all of which I would lend to the Crystal Palace if you would like to have them'. He can deliver these to Bond St on collecting the other.