VICTORIAN

One page, quarto. Good, on lightly aged paper. Some offsetting and smudging from Denwood's folding of letter. Reads '72 Kirkgate | Cockermouth | Aug 8 - 1931 | Jonathan. Mawson. Denwood | Dear Sir, | I send you autograph. I cannot write further At the moment I can scarcely hold a pen.'

Varying in size from a few lines to a column nineteen inches in length, and on aged high-acidity paper. In good condition, though frail, and with a few closed tears. Texts clear and complete. In the remains of a stamped envelope (postmarked Philadelphia, 21 February 1912), addressed to E. H. Lauer of the Cadmus Book Company. Fewer than half the items are dated. The dated items include a long and interesting article on a forgotten English-born Philadelphian forger, headed 'A FORGER OF AUTOGRAPHS. | ROBERT SPRING'S SUCCESS IN BOLD LITERARY FRAUDS.

Octavo: 28 pp. Stabbed. In original blue printed wraps. Advertisements on back. On browning high-acidity paper, in chipped and worn wraps with damp staining to edges at rear. 298 items. Items 95-141: 'Signers of the Declaration of Independence and Presidents of the United States.' Scarce: no copy on COPAC, which does record one copy of a catalogue of a sale of Morrell's books by the same firm in 1866, and two copies of a catalogue of a further sale in 1869.

One page, 16mo. Good, on lightly aged grey paper, with previous paper mount adhering to reverse. Reads 'I have pleasure in sending you the Autograph you desire'.

Octavo: 52 pp. Stitched and unbound. Good, if a tad grubby. In alphabetical order from Queen Adelaide to the Duchess of York, but lotted 236 to 553. Tastefully printed, and including letters of Charles I, Coleridge, Dr Johnson, Samuel Richardson, Rossini, Sir Walter Scott, Laurence Sterne and Horace Walpole.

One page, roughly four and a half inches by seven wide. Grubby, and with one inch closed tear at foot, caused by removal from mount, traces of which, and of another autograph adhere to reverse. Reads ' "How good it is to live, even at the worst" | "Christ in Hades" by Stephen Phillips | [signed] Charles Warner | 1902'. Small neat green circle containing number in bottom right-hand corner.

One page, octavo. Good, on lightly rucked paper, with one line a little blurred by damp. She would have replied sooner to her correspondent's 'courtesy in enclosing a stamped envelope', but feels sure she will forgive her when she tells her that she has 'been in constant attendance at a hospital owing to my Father having met with an accident. I can't think what good my autograph will do anyone, but still -'.

One page, 12mo. Very good, on lightly aged paper mounted on piece of card. Reads 'London | July 28/13 | Master M. Bull | I append autograph as requested | Yours truly | John Oxenham'.

One page, on piece of paper roughly seven inches by eight wide. On aged paper laid down on a piece of card, and with some wear and paper and glue stains. 'My dear Madam, | In reply to your letter of Novr. 18th, I have pleasure in sending you my autograph, as you desire.' Four-line printed biographical cutting in bottom right-hand corner.

One page, small octavo. Good, on lightly aged and creased paper, with a little rust spotting from paperclips. From the collection of the autograph hunter Rev. E. J. F. Davies. 'I have great pleasure in doing as you ask.'

One page, 12mo. On aged, creased and spotted paper, with remains of paper and glue and paper from mount adhering to both sides. Reads 'With S.. R.. Lysaght's compliments - | 16. viii. 07.' From the collection of the Rev. E. J. F. Davies.

Quarto: 50 + [2] pp. Fold-out frontispiece giving eighteen examples of handwriting from items in the catalogue. In original orange printed wraps. Good, though a tad dusty, and in worn and faded wraps with some glue staining to back and wear to spine. Well printed, with lengthy extracts from most items. A scrap of paper which acts as a bookmark has the words "Listed Walpole entries to W.S. Lewis || Nov 1953" in Winifeed Myers [?] hand (from her reference library). The first item is 'A Series of Pencil Sketches by George Cattermole, illustrating Dickens' Works' (£60).

One page, 12mo. Good but with paperclip spotting at head (not affecting text). Three-line quotation clearly sent in response to a request for an autograph. 'Broadmindedness, so called, is generally no more than the silly fear of being thought narrow-minded - | [signed] Charles Oman'.

Dimensions of card roughly two and three-quarter inches by four inches wide. Good, with light creasing to corners. Clear signature reads 'Yours very sincerely | Max O'Rell | 18 March 1895'.

One page, 12mo. Very good, with a little light spotting at foot. 'Dear Sir, | I suppose it will suffice if I sign myself | Yours faithfully | Geo: Macdonald'. Docketed in pencil at foot.

Quarto: ii + 234 pp. In original grey boards and cloth spine, with chipped white label. Unopened. Good, with slightly discoloured endpapers. Extensive transcriptions from the Countess of Blessington's correspondence, the writers ranging from Mrs Abell ('Napoleon's pet English child at St. Helena') to Nathaniel Parker Willis.

Both items one page, 12mo. Both on creased, aged paper, with some paperclip spotting. In the typed letter (which is in slightly worse condition than the other item) she explains that she is enclosing her autograph on a separate sheet. '[I]n case you care to have it My Mother, Mrs. Graham, (I write under my maiden name) thought you might like to have Sir Philip Gibbs' autograph, [^the celebrated author,] so she has asked me to send you a card she received from him the other day. [not present] You certainly have a wonderful collection!' The autograph reads 'Jan: 7th.

One page, 12mo. Very good: lightly aged and creased. 'You are welcome to my autograph for what it is worth.' From the collection of the Rev. E. J. F. Davies.

One page, 12mo. Good, on aged and lightly spotted paper, but with blank verso showing traces of previous mounting. Nine-line printed biographical cutting laid down in top left-hand corner. Reads 'Madam, In accordance with your request I enclose my autograph'.

Four pages, 12mo. Very good on lightly aged paper. She apologises for only sending 'two words of Sir Joshua Reynolds' writing', and hopes she may some day 'succeed in getting a more valuable autograph'. It was given to her 'by a great niece' of the artist, 'and was cut out of a manuscript of some work on Engravings, which he had prepared for the press'. They are glad to hear of Tuckwell's 1878 'appointment to the living of Stockton': 'I trust many years of rest and happiness are in store for you in that quiet retreat'.

One page, 12mo. On blue paper discoloured from glue by previous mounting. Seven-line printed biographical cutting in top right-hand corner. 'I am very happy to comply with your request [for an autograph].'

Four pages, 12mo. Very good on lightly aged paper. Docketed by Gaskell at head of first page 'This letter is written to myself in reply to my offer of the loan of 91 Shirley Brooks' letters. | J. B. Gaskell'. Acknowledges the receipt of the letters which Gaskell has 'so generously' placed at his disposal, and assures him that they will be 'treated with the greatest care' and returned as soon as possible, together with the photograph of 'Epicurus Rotundus' (Brooks's pen name), 'which is new to me'. Asks for 'any reminiscences, hearsay or otherwise of S. B.

One page, 12mo, on mourning paper. Aged and cropped at foot. Dusty, and with minor paperclip stains to edges, and traces of previous mount on reverse. Reads 'Dear Sir, | I have much pleasure in sending you my Autograph. | Yours truly | "Allen Raine" '. Four-line cutting giving printed biography neatly laid down in bottom right-hand corner.

Three pages, 12mo. Very good on lightly aged paper with slightest trace of previous mount adhering to blank verso of second leaf of bifolium. He has 'looked out' and is sending 'a few interesting Autographs', and would have sent them before, had he not been 'a great invalid all summer'. 'I will get Miss Chapman a good collection of the autographs of literary men. I am now very closely connected with Punch & other publications and shall have frequent opportunities.' Agnew's family, as partners in Bradbury & Agnew, were for many years the publishers of 'Punch'.

One page, 12mo. Grubby, and with traces of previous mount adhering to reverse. Small circle containing '170' in red in top left-hand corner. He is sending his autograph, 'which I could not do while at . I am glad you have read some of my stories; I presume those now in book form as "1001 Indian Nights." '

One page, 12mo. Neatly mounted on card. Nine-line biographical newspaper cutting neatly laid down at foot. Ten lines from another newspaper cutting, relating to Madame Patti, at head. Reads 'Dear madam | I thank you for your flattering letter and subscribe myself, as you wish, | Yours truly | Henry Newbolt'.

One page, 12mo. Very good. 'I see that to-day is mail day for the Cape, I therefore send you at once the signature for which you ask. I wonder how you discovered my address.' Accompanied by biographical cutting.

One page, octavo. Good, on lightly creased and aged paper, with a little wear at foot. Purple ink. He thanks him 'for Cheque safely to hand for the Autograph Album. There is no question abot the Collection being a genuine one.' Details the provenance from the artist H. W. Pickersgill, to Charles Kingsley, to Kingsley's brother. 'I bought the Vol at the latters sale -'. He will send the two letters 'and the Kingslake in the morning'. He has been 'laid up ill for some days'.

One page, 12mo. Good, on aged paper with a little paperclip spotting. Laid down on piece of card. 'It is with considerable misgiving that I thrust my autograph upon the distinguished company you cite in your letter. Since, however, it is unthinkable to refuse the request of a lady, I have the honour to subscribe myself, | Yours faithfully, | W. P. Drury.'

Two pages, quarto. Very good. With traces of blue paper mount adhering to addressed verso of second leaf of bifolium. Dawson Turner having declined to buy a collection on the grounds that it is 'wholly out of his line of collecting', Russell now offers it to Thompson. They are 'not so interesting' as he anticipated when he 'bought them at an auction without looking at them till they were on the table'. Gives details of the purchase and describes the volumes, estimating their cost in binding.