MARTIN

One page, 12mo. Good, though a little grubby at the right-hand margin, and with the name of the recipient neatly torn away at foot. 'Dear Sir | Neither Lady Martin nor myself feel any interest in any letters of ours, which may have come into your hands.'

12mo: 1 p. Good, with pin holes to top left-hand corner (not affecting text). He might be able to give her his 'lecture on Hypnotism' in May, but 'cannot tell unless I know the approximate date as I am rather a busy person with my official duties here.' Asks her to let him 'know about it'.

8vo: 1 p. Good, with slight wear to outer edge, and strip from previous mount neatly adhering to reverse. With name of recipient at head, and docketed on reverse. He has 'seen some charming & useful Leaflets advocating Humanity to Animals' and has been 'led to understand they may be obtained through' his correspondent. He would like a hundred of the leaflets to be sent to him, 'for which I will gladly send stamps'. Hall was a sanctimonious figure, supposedly the model for Dickens's Pecksniff.

12mo: 2 pp. On lightly creased, discoloured paper, with traces of hinge from previous mounting adhering to margin of first page. He has 'an uncomfortable feeling' that he 'laid aside' a letter from Fulton 'to be answered, but which I cannot now find. It must somehow have got mixed up with other papers [...] If I am right in my fear, may I ask you to send me a copy of it?'

12mo: 1 p. On discoloured paper, ruckled and with traces of glue from previous mounting on reverse. He is returning 'the account of the Burns Volume' which accompanied his correspondent's letter of 8 October. 'It does not suit me to purchase it, as I have already other & more important memorials of Burns.'

12mo: 3 pp. A bifolium, the first leaf of which is good with light spottinng, but the second of which has the lower half cut away, and traces of glue from previous mounting on its reverse. Hinge strengthened with archival tape. Concerns an essay on 'Petrarch and his times' (unattributed as 4122 in the Wellesley Index). Her note to 'Mr. Froude' [James Anthony Froude (1818-1894)] has been 'handed to' Martin, 'as representing him during his temporary absence in Spain, in the arrangement of Fraser's Magazine'.

Dimensions of photograph 9 x 5.5 cm. Good sepia image, on backing card with Mayall's details printed in red at foot. Reverse of card mostly covered with remains of previous cream paper mount. This image does not feature among the three portraits of Martin listed in the National Portrait Gallery's online catalogue of its collection.

On a piece of aged, creased paper roughly five inches square, with some fraying to extremities. Reads '<...> an artist. & his case as one <...> | Andrew Robertson | D Colnaghi | M. H. Colnaghi | R Ackermann | CTurner | John | Saml Woodin'. Rudolph Ackermann (1764-1834), bookseller; Dominic Paul Colnaghi (1790-1879), print dealer; M. H. Colnaghi (1821-1908), picture dealer and collector; Andrew Robertson (1777-1845), Scottish miniature painter. From a collection of material relating to the Artists' General Benevolent Fund.

Two pages, small octavo. Good, on slightly ruckled and aged paper. Some glue stains from previous mount adhering to verso of blank second leaf. He is arranging 'a Conference and Public Meeting on Monday 12th. Nov.' The League's committee 'wish you also to favour them with your help by giving a physiological speech'. Asks to be favoured with an early reply.

On both sides of a piece of aged paper watermarked 1855, dimensions three inches by eight and a quarter wide. Good, though a tad grubby, with traces of previous brown paper mount adhering to reverse. Recto reads '[tick] H.C.L. | [in another hand] App? | [signature] . Captain | in Comd of Division. | [in another hand] [signature] C M Collins | 1st Class Asst. Engineer | [in another hand] [signature] Gilford | Lieut in Comd. | [in another hand] Approved for necessary Defects | to be made good. | [signature] G F Seymour | Vice Adml. and Commr. in Chief'.

Irish portrait painter (1769-1850), President of the Royal Academy, 1830-50. The recipient (1780-1860) was another portraitist. Two pages, 12mo. Very good. A grovelling apology. 'Judge of my remorse, and the extent of my self-reproach, when, though an Irishman, I have not the face even to attempt an apology!

8 leaves, 4to. Printed on green paper. Unbound, and with remains of original stitching. Engraved title and seven sepia plates (all approximately 7 inches by 6 inches) mounted on rectos of leaves, with letterpress beneath. Versos blank. Frail item: extremities dogeared and worn. Title grubby, with '1805.' added in red ink. Plates clean and with minimal spotting. Slight damage to corners of two final plates.

Agreement "to be associated in the exploitation of the said Play", 4pp., folio, manuscript correctionsand additions initialled throughout by the above parties, and finally signed by both. WITH: Typed copy of the agreemen,t5 May 1944, between Agatha Mallowan (Christie) and Bertie Alexander Meyer for the rights to produce a play, 4pp., folio, NOT signed; AND: Typed copy of agreement, 30 Sept. 1942, between the same parties for the rights to "Ten Little Niggers", 4pp., folio, some pencilled annotation, NOT signed; AND: Typed copy agreement, 9 Sept.