LONDON

One page. Dimensions of slip roughly four inches by five and a quarter wide. Somewhat aged, but entirely legible. Reads 'British Quarterly Review | Can you tell me what was the last part of this issued, if it is possible to get a title-page and index to vol 83. My last part is 166 April 1886'. Docketed note of reply states that no title was published to the volume containing April 1886.

Dimensions of paper roughly eight inches by five; dimensions of print four and a quarter inches by three and a half. Good clean image, on paper aged and creased at extremities only. A wild-haired octogenarian Gent leans on a pile of books in a stone archway, holding open a copy of his History of Rippon (1733). Taken from Thorpe's edition of Gent's 'Life', published in 1832.

All items one page, quarto, and all very good. Two docketed and one bearing the Society's stamp. Letter 1: He will be pleased to attend a committee meeting. Letter 2: He has 'a long-standing engagement' and will be unable to attend 'the Architectural Decoration Committee'. Along with Godfrey Giles he has 'had a long discussion' with Mr. Grigsby 'with reference to the conditions of the Lewis Berger Scholarship'. Letter 3: He knows 'Professor Richardson very well, and this is just the information which I am requiring. I will send my man on to see the secretary as you suggest'.

One page, octavo. On aged, grubby paper with minor staining at foot. He has spent 'all his monney for prints & Books I bought at Sale last Week. I have no balance in my Bank at all. (ganz nichts) if you are not inconvenient [sic] Please bring some L. S. D. on Saturday next'. Postscript: 'My business is Ratton N. B. G.' It is thought that Kato obtained a large portion of the Japanese prints for Sir Edmund Walker's celebrated collection.

Seven pages, octavo. Disbound, and with the four leaves detached from one another and neatly laid down on a paper mount. Very good. From (according to the title-page) the edition in 'LONDON. Printed for EDW. NICKSON. Januar. 24. 1643.' Republished as a supplement to the 'British Stage'. Only two copies on COPAC, at Bristol and in the British Library.

Quarto, twelve pages. Unbound. In original grey printed wraps, with facsimile portrait of Caxton laid down on front cover as part of design. Stitched. Lightly aged and worn, and a little loose. A handsome production, with five full-page facsimiles of pages from the book, and three other illustrations (including duplicate of that on front wrap). Large plate of charcoal drawing, captioned 'A view of the facade of 16 & 17 Pall Mall as seen from the Athenaeum', laid down inside back wrap.

Chairman of Unwin Brothers (born 1870). One page, quarto. Good, but discoloured and lightly creased, and with staple stain at head. Docketed and bearing the Society's stamp. He is sorry not to have answered sooner, but 'some very important business has engaged my attention during the last few days with the result that I put your letter into my private drawer without acknowledging it.

Three pages, 12mo. Good, on lightly spotted and aged paper. Traces of glue and previous mount adhering to blank verso of second leaf of bifolium. Concerns a 'concert on June 16yh in aid of the <?> L G[uild] at Mrs. Beudel's house'. 'It grieves me more than I can express to find that I shall be unable to attend, or give my services on that occasion, unfortunately my arrangements will not permit of my being in London then'.

One page, on piece of grey card roughly three and a half inches by four and a half wide. Very good. Twelve lines and one-line postscript in Sutro's tiny and difficult hand. Sends his 'sincerest congratulations on the best volume of memoirs I have read this many a day' (Hicks published his autobiography in 1910). 'There isn't a dull line in it from start to finish; I could dine out for a week on the stories'. Reference to Irving and other actors. Ends 'A damned good book, Seymour! Tous mes compliments!' Postscript reads 'This does NOT require an answer!'

One page, 12mo. On creased, brittle, aged paper. Repaired with archival tape on reverse, which carries traces of previous mounting. He is sending some lines of introduction 'to my cameo friend who lives in Grafton St Bond St. - No. [i.e. number] unknown, but it is the second or third house on the right going from Bond St.' Hullah's 'Music Hall' - St Martin's Hall in Long Acre - opened in 1850. It burnt to the ground ten years later.

One page, quarto. Very good, though slightly aged and creased, and with minor damp staining at foot, affecting bottom three lines including signature. Wilkinson has written to say that he 'has not the space' Smith has 'named'. '[Y]ou express an opinion that Circus business would pay, & I, from my personal knowledge of Brighton & experience therein, feel sure a really good Circus would prove an immense attraction & a paying one, & would stand some time by introducing fresh novelties'.

Thirty-six broadsheet pages. On aged paper, with chipping to extremities and first and last leaves detached, but with text clear and entire. Articles on 'The Four New Railways', with photographs, by Sir Herbert Walker, Felix J. C. Pole, Arthur Watson and R. L. Wedgwood. Other articles include 'Electrification - The Metropolitan's Experience' by R. H. Selbie, 'Railways - Their Position and Prospects' by Sir Sam Fry, 'Railway Rates under the New Regime' by Sir W. M. Acworth and 'Finance of British Railways' by W. J. Stevens.

Two unbound bifoliums stapled together. Eight pages, on four leaves each roughly seventeen inches by eleven wide. A corrected proof, stamped at head of first page 'PROOF NO.' A frail survival of a significant document in London topographical history. Aged and worn, with several closed tears. A few manuscript emendations, notes and additions in different hands. For example, concerning a right of way, 'Messrs. Debenham can ascertain this from Mr. Pinder Simpson 20 Old Burlington St. W. the Collector'.

Sambourne (1844-1910) contributed illustrations to Punch for more than forty years. On good laid paper, dimensions roughly 22 inches by 17 1/2. With facsimile signature and date. Folded twice. Slightly discoloured and a little creased, but suitable for framing. Depicts Mr Punch, with his dog Toby, sitting atop a pile of the 'evolutions of the century' (including a bicycle and typewriter), and waving to 116 of the century's worthies, including Bismark, General Tom Thumb and the jockey Fred Archer, but without Karl Marx.

One page, quarto. On lightly creased, aged paper with a few closed tears. Rust marks from paperclip at head. Reads 'Il triangolo della perfezione arte scienza ad amore | [signed] F Matania'.

Postcard with painting of Rialto Bridge by Canaletto. Postmarked 1970. Ruckled with damp but entirely legible. An amusing communication, beginning 'Thought I would let you know that we were not involved in the great tornado that sunk a voporetto [sic] on Lirica 4, and that the Hotel alla Fava is still very comfortable.' Refers to the Lambs' 'self-contained eyrie' and 'the weak fast coffee which tastes of mud; but clearly and obviously isn't'.

Broadsheet. Twenty-two pages. On browned high-acidity paper, with slight wear and loss to extremities and along central horizontal fold. Attractive full-page illustration cover illustration by Clifford Webb. Articles include 'Telegraphy and telephony. From Morse apparatus to the teleprinter. World-wide conversation.' by Colonel Sir Thomas Purves, and 'Generation of Electricity. Supremacy of the steam turbine. Economy of space and fuel.' by Robert H. Parsons. Also 'The making of a natural philospher. Heredity and environment.

On paper roughly four and a quarter inches by three and a quarter wide, with corners snipped to make an irregular octohedron. Good clear illustration on ruckled, aged paper. Tipped onto a larger piece of aged glue-stained paper. An amusing caricature showing Haggard astride Rozinante, in a full suit of armour, with an inkpot and quill pen as hat, holding a lance inscribed 'LITERATURE' in one hand, and a baby wrapped in a large roll of paper inscribed 'SHE M.S.' in the other. Unsigned, and attributed to Furniss in pencil on mount.

One page, on leaf roughly six and a half inches by eight wide. Aged and creased. Unobtrusively repaired with archival tape. Attractive letterhead (according to which the firm, previously at 41 Coleman Street, was established in 1819) with illustration showing a gentleman angler in top hat fishing in rushes by river beside a crouching servant holding a net. 'ARTIFICIAL BAITS OF EVERY DESCRIPTION MADE BY H. J. ALFRED.' In the spirit of the times Fellows took all of eighteen months to pay a bill of thirteen shillings. Signed 'Recd W H Alfred'.

Two pages, 4to, dusted and otherwise marked, but text clear and complete. He "begs leave to represent the the State of my account of Fees & Disbursements in obtaining the Act of Parliament 'for rendering more commodious & for better regulating the port of London' which ammounts to ____________"5989.12-". He has received £4400 "by your warrants out of the Parliamentary hand, £100 of the Dock Company, balance due £489.12". He explains a complication involving the Dock Company's payment.

Unbound stitched octavo, thirty-six pages, with foldout plan (eight inches by sixteen and a half wide), in red and black, of 'Lombard Street and Adjacent Localities [...] by Henry Hodge March 1886', accompanied by list of eighty-six premises. Text clear and complete on aged and spotted paper (the first leaf particularly so).

12mo. In original worn red morocco binding, gilt, with loose front free endpaper. Good, with EXTENSIVE MANUSCRIPT CORRECTIONS AND ADDITIONS. Eight blank leaves bound in front and back, on which are laid down forty-nine illustrations of arms of London livery companies, each approximately one and a half inches square, and apparently dating from the mid-eighteenth century.

Anglo-Australian actress (1890-1975), connected with the Kendalls, Beerbohm-Tree, Bernard Shaw and a host of other figures from the London stage. Two pages, 12mo. Veryy good. Difficult hand. She has asked 'Mr. de Lion' about Gifford's play: 'he said he will try to make enquiries & let me know but I dont expect he will'. The rest appears to refer to relate to travel plans. Ends 'I beg you to forgive me.' Signed 'Marie Löhr'.

20 items. Various formats (see below). Showing signs of age, and with some foxing, fraying and creasing, but in very good condition overall. Collection indicates that Hazlehurst, who was born in Grappenhall, Lancashire, to an illiterate mother, was a capable individual entrusted with responsible positions. ITEMS 1 TO 5: Certified Copies of Hazlewood's birth and marriage certificates (birth certificate in poor condition, but with text entirely legible), his wife's birth and death certificates, and his parents' marriage certificate.

Three pages, 12mo. Very good. The letterhead, in red, carries Mayhew's crest, with his initials 'HM' and motto 'LABOR VINCIT'. An insight into doings within the Mayhew family. As her correspondent has 'not been here', she is concerned that she 'must have offended you in some way or another'.

The society's letterhead has a circular engraving, 1 1/2 inches in diameter, of Jesus and a fallen woman, surrounded by the quotation ':JESUS SAID UNTO HER, NEITHER DO I CONDEMN THEE: GO, AND SIN NO MORE.' It describes the Society as 'Being "THE LONDON FEMALE PENITENTIARY," founded at Pentonville, 1807, and "THE GUARDIAN SOCIETY," founded 1812, for the RESCUE, RECLAMATION, and PROTECTION of BETRAYED and FALLEN WOMEN from all parts of the United Kingdom, and now united under one management." 1 page, 8vo. Grubby, with staple marks and a closed tear affecting two words of text.

One page. Roughly nine inches by four. Aged and creased, with one small closed tear and one spike hole (neither affecting text, which is clear and complete). An attractive document, embossed with a government one shilling stamp, and bearing the Westminster coat of arms, supported by two dogs, engraved by Warrington, 27 Strand, in top left-hand corner. Reads (MS additions in square brackets): '[Imp: Hopkinson] | Grosvenor Estate Office, | 9, Davies Street, Grosvenor Square | Received the [March 30th] 184[9] of [Richard Jones Esqr.

Two pages, octavo. Good, with some creasing at head and foot. He has just returned from visiting his brother and sister-in-law at Liss, and will send his 'The Wood of Time' (1938). 'Since I wrote the poems it contains, poetry, like most of the other arts, has undergone a complete revolution; indeed began to undergo it before "The Wood of Time" was published.' Despite this he is pleased it 'did not fall entirely upon deaf ears. Since that time I have written several other things, but have really published nothing of the same nature.' He is glad she is still writing.

One page, 12mo. Good, if a little aged and lightly creased. He apologises for the delay in 'sending the drawing that now I ask you to please me by accepting' (not present). He asks her to accept it as a present for 'that almost superannuated festivity' of Christmas. 'I send you a coat-of-arms as that includes a certain amount of letterpress which you will I think prefer to a simple drawing'. He has delivered all the drawings bought by Mrs Samuel's friend and has received his thanks.' Signed 'E. T. Rees'.

One page, 12mo. Good, though aged and foxed. 'My best thanks & gratitude for your noble notice | Were you ever in low spirits If so sympathise with me I feel as if I would never wish to be acted again . . Chastelard the first night my god almighty ! ! ! - | Your sincere friend | W G Wills'. Chastelard is a character in Wills's play 'Marie Stuart' (1874).