LONDON

Printed on one side of a piece of thick wove paper, roughly 11.5 x 9 cm. Dimensions of image 9.5 x 6.5 cm. A little grubby, but good. An attractive production, with a mediaeval-style illustration of two flying fish flanking a tree on the branch of which is hung a shield with the words 'Books & Prints | Old & New. | 84, Nassau Street | New York. | 14 York Street | Covent Garden | London.' In gothic type at foot: 'J.

Folio: ii + 21 pp. After 'Popish Successor,' the title continues 'Exactly drawn by the Reigns of Christian the Second, and Sygismond King of Sweden, and Ferdinand the Second King of Bohemia.' Text clear and entire, on discoloured and lightly-foxed paper. Slight chipping to edges, and quite heavy discoloration to the final few leaves, with small hole at foot of last leaf (the reverse of which is blank), affecting the word 'FINIS.' but leaving the text undamaged. In very good modern calf quarter-binding, with marbled boards and title on red label on spine.

8vo: 224 pp. Errata on last page. Frontispiece and portrait of the author on p.65 by Lodge. In original brown calf binding, with red label with 'Kisses of Secundus' in gilt, on spine. A tight copy, with the flyleaves becoming detached, the frontispiece foxed and with a closed tear at the head of the hinge, and a 4mm ink stain spreading upwards along the leaves along the bottom edge. Elegantly printed, with a four-page preface by the unnamed translator, followed by a 32-page 'Essay on the Life and Writings of Secundus'.The poems are on the versos, with the translations on the facing rectos.

8vo (dimensions roughly 21 x 16.5 cm): 24 pp. In original coloured illustrated card wraps. The whole bound with black thread. All edges silvered. Aged, worn and lightly spotted, but tight and in reasonable condition overall. Two small wormholes in back wrap, affecting the verso of the last leaf. Fifteen poems, seven of them by Nesbit: 'Song', 'Possibilities', 'Vie Manquees', To a Picture by Giovanni Bellini', 'The Better Part', 'Rondeau' and 'Lovers'. Every page of the volume carries illustrations of nature in black and light green. Similar designs in colour on the covers.

12mo: viii + 207 pp. Advertisement and printer's slug on reverse of last leaf. Additional sepia engraved title ('T. Letherbrow. Del. W. Morton. Sc. Manchr.') with illustration depicting a stern-looking woman (one of the fates?) holding a bobbin of thread. By her side a cherub with a lyre and a large, incongruous metal cog. In original blind-stamped green cloth binding. A tight copy, lightly foxed and aged, in faded binding with slight wear and a small stain to the front board. Ownership stamp of Florence Armaghdale on front free endpaper. Last two leaves opened clumsily. Scarce.

4to (leaf dimensions roughly 27 x 21.5 cm): 1 p. Fifteen lines of text. On the recto of the first leaf of a bifolium, with the address on the reverse of the second leaf. Text complete and legible, on aged paper, grubby, worn and creased paper. An unusual and interesting letter of introduction, pointing out the international links in the European booktrade of the early nineteenth century.

Two pages (of a bifolium), folio, one page with the ANS, the other with the text for the memorial stone, grubby, fold marks, text clear and complete. Hodson informs Barham that he is "desired by the Dean & Chapter of St Paul's to inform you that they give permission to the Parishioners of St Gregory to put down a plain flat stone in front of the West Entrance of St. Pauls in the manner proposed by them". The text is in Hodgson's hand and consists of a series of statements about Churches destroyed or damaged by the Great Fire of London of 1666.

Each of the five items printed on one side of a piece of wove paper roughly 50 x 37 mm. All five good, on aged and lightly-spotted paper, with text and illustrations clear and entire, and with some wear, chipping and short closed tears to the edges. Each item with a central vertical fold. All five items with ornately decorated titles, and all of a devotional nature. Item One: 'Adam & Eve in Paradise.' ('Printed by J.

12mo, 3 pp. Bifolium on grey paper. Text clear and complete, on aged, creased paper with 9 cm cut along gutter. Sotheby's hand is particularly difficult, but he appears, on the suggestion of his partner Wilkinson, to be proposing that 'a man shall be up with you on Monday Morning - 1/2 past 9 he can tie up and purchase the books & for removal on Tuesday. This plan will be better than taking them away in one day. It will prevent the loose paper falling out.'

The cover is printed on one side of a piece of shiny art paper, roughly 20.5 x 13 cm. Photograph of Kubelik and his violin roughly 10.5 x 8 cm. Paper lightly creased and with slight wear along vertical fold across middle of photograph. Good firm signature.

12mo: 12 pages. Dimensions of leaf roughly 12 x 10 cm. Stitched and unbound. Good, with outer pages a little grubby and 3.5 cm closed tear up spine of outer leaves. A scarce and unusual piece of ephemera: no copy at the British Library and none on COPAC. Title advertises the pamphlet at 'ONE FARTHING.' A full page advertisement on reverse of title, for W. J. Loftie's 'London City' (published by the Leadenhall Press in 1891) is significant.

4to: 1 p. Text complete and clear, on aged, spotted and lightly-creased paper. He has exchanged letters with 'Mr Morell' 'with reference to "Faust up to Date" ', but does not believe any contract has yet been arranged. He does not have a copy of 'the Score and Band Parts': 'I should say Mr Geo. Edwardes or Mr Meyer Lutz has these.' Sims co-wrote 'Faust up to Date' with Henry Pettitt. The music was by Lutz. It was produced by Edwardes, and first performed at the Gaiety Theatre, London, on 30 October 1888.

12mo, 2 pp. Thirteen lines of text. Good. The letter possibly relates to Furnivall's Early English Text Society, founded in 1865. He is enclosing a Post Office Order for a guinea, but, as he 'said to Mr Furnivall last year', he does not consider himself a subscriber, 'wishing to reserve the right of withdrawal in case of finding it inconvenient to pay, which will certainly be the case when I give up my official position'. Nevertheless asks Wheatley to remind him 'when the time comes for collection'.

4to: 6 pp. Unbound. Leaf dimensions 26 x 19.5 cm. A bifolium, with a third leaf attached. Good, on lightly aged and creased paper. With a few manuscript emendations by Paterson. One page is taken up with a copy of a letter, originally dated from Brockhurst House, Gosport, Hants, 1st May, 1860.', but with a manuscript label reading 'Victoria Lodge | Osborn Road, Fareham | Hants | April 15th. 1868' laid down over the printed text. In the original printed text Paterson offers himself as 'a Candidate for the Appointment as GOVERNOR of H.M.

8vo (21.5 x 14 cm), 4 pp. Unbound bifolium. Good, on lightly aged and foxed paper. The item is well-printed, paginated with two footnotes. The subject is laid out at the start: 'In the first volume of Mr. Dickens' Life, just published, I read an account of Mr. DICKENS' literary connexion with my father, which it is impossible for me to leave without remark. The biographer therein presents my father in a character which all who knew him would repudiate as belonging to him.

On the recto of the first leaf of a folio bifolium (leaf dimensions 42.5 x 27.5 cm). On grey watermarked laid paper. Good, with slight offsetting from the ten red wafers placed beside the signatures. Headed 'LONDON. To the ALDERMEN, DEPUTY, and COMMON-COUNCIL of the Ward of [Queenhithe]'. Fifty-two lines of text, with manuscript additions, including the name of the ward ('Queenhithe') and the sum assessed (£89 15s 6d). At the foot of the page are large, bold signatures of the ten members of the Commission of Lieutenancy, including that of the Lord Mayor, Stuart Knill.

Quarto (25.5 x 19 cm) bifolium. Attractively-printed on watermarked laid paper. Unbound. Foxed and lightly-creased. Two short 0.5 cm buff strips of cloth from mount neatly adhering to the margin of the reverse of the second leaf. 'PERENNIS ET FRAGRANS.' enclosed within engraved wreath on title. Eighteen-line prospectus for the work on reverse of first leaf, with the recto of the second carrying a full-page facsimile of the title of Pickering's 1844 edition of John Merbecke's 1550 'The Book of Common Prayer Noted', printed in red and black. Printer's slug on reverse of second leaf.

12mo: iv + 164 pp. In original green cloth, with the title in gilt on the front cover. All edges gilt. Slightly foxed. Good and tight, in lightly worn cloth. A curious collection, with the index of first lines containing such entries as 'Sweet Edgbaston bells' [this poem dated 1844], 'Dear Varinka', ' 'Twas a boy in a cut-off jacket' and 'They call me little Trottie'. All three series are excessively scarce. The only copy of this third series on COPAC is in the British Library, and the only copy on WorldCat in California.

Both issues 8vo (roughly 30.5 x 19.5 cm), 6 pp (each a loose leaf in a bifolium). Both printed on brittle watermarked laid paper. Both unbound, and stabbed as issued, and both on aged and chipped paper, but with the text clear and entire. Each issue with the title in an expansive calligraphic design. The full slug, at the bottom of the last page of both issues, reads: 'Printed and Published by ETHERINGTON, at No 25, opposite the South Door of St. Paul's (where Letters, post-paid, to the LITERARY FLY will be received).

A collection of items indicating the panic felt by the bourgeoisie around the time of the Great Chartism Meeting on Kennington Common, 10 April 1848. Items Two to Five are laid down on a piece of grey paper removed from a scrapbook. Item One: Printed warrant signed by two magistrates, appointing Cater a Special Constable, it appearing, 'upon the oath of a credible witness, that a tumult or riot may be reasonably apprehended'. On one side of a piece of laid paper roughly 320 x 210 mm. Watermarked 'W H FELLOWS 1847'.

All four items well printed on one side of a piece of watermarked laid paper. All four lightly-aged but good. None of them filled in. The third item more dusty than the rest. Item One (15.5 x 20.5 cm): Headed 'No. VII. A PROTECTION.' To be signed by one of the 'Deputy Lieutenant, | Captain, | Commanding Officer.' Exempting the bearer, as a militia man, 'from doing any Highway Duty, commonly called Statute Work'.

Each of the five on a piece of good laid paper, roughly 15 cm square. Wide margins, with indentation of plate 9.5 x 8 cm. All five good, with occasional light creasing to margins. The second and third items more aged that the others, but all good and suitable for framing. Delicately engraved and skillfully coloured. Item One: 'Mr. Bellecour. 3 Comed. Franc. Le Joueur. dans la Comédie du même nom.' Item Two: '19 Comed. Franc. Michau et Henri. dans la Partie de Chasse d'Henri IV. Qu'êtes-vous? allons, qu'êtes-vous?' Item Three: 'Made. Favart. 22 Coméd. Ital. La Vieille.

Dimensions roughly 26 x 20 cm. Four printed pages, in a bifolium, stapled into coloured illustrated covers. A scarce piece of theatre ephemera, in reasonable condition: creased, with rusted wraps and with one short closed tear to front cover, which carries the words 'Adelphi Theatre. Sole Proprietors, A. & S. Gatti.' and an illustration, painted in an impressionist style, of a fashionable group dining. Stamped 'Saturday Feb 19'. The back cover, also in colour, carries an advertisement for 'Vinolia Toilet Preparations', with an illustration, entitled 'Envy', by 'W.

Dimensions of print roughly 13 x 17.5 cm. On original grey paper windowpane mount (22 x 28.5 cm). Engraved label (3 x 12.5 cm) beneath the print, with small remarque-style illustrations of the ship and the queen. The print itself is good, although aged and a little worn and spotted; the spotting and aging to the margins and mount is a little heavier. Attractive and unusual item, the image changing when held up to the light. The ship is depicted sailing on choppy seas, and the young queen seated with drapery around her on a verandah with stone balustrades and a landscape behind. Scarce.

The caption ends '[...] a Soldier who desires to kill his General let him do it now. Here I am!' Dimensions of print roughly 13 x 17 cm. On original grey paper windowpane mount (22 x 27.5 cm). Engraved label (4 x 12.5 cm) beneath the print, with small remarque-style illustrations. Aged and spotted, with slight wear to the print. An unusual and attractive piece of Napoleonic iconography, a full-length image of the deposed Emperor of the French, characteristically attired, on a beach with his hand on a rock, looking out to a sunset at sea.

On one side of a piece of wove paper roughly 28.5 x 24 cm. On aged, somewhat grubby paper, with 6 cm closed tear repaired with tape on reverse. Full-length diagrammatic depiction of a British army officer in uniform of the Napoleonic period (black boots with spurs, tight white breeches, green jacket with yellow trim and black hat with red plume), holding his sword horizontally in front of his face. A set of thirteen numbered angles are projected from the tip of the blade, some bracketed 'all these are strait in Front'. Others are described as 'flat'.

The portion of the caption, missing in the description above, reads '[...] Virginia Water. This Print at first represents this enchanting lake by day, and upon holding it before the light, you will be presented [...]'. Dimensions of print roughly 16.5 x 22.5 cm. On original grey paper windowpane mount (24.5 x 35.5 cm). Engraved label (4.5 x 18.5 cm) beneath the print. Good, bright impression, but with damage affecting an area roughly 2.5 x 2 cm in bottom right-hand corner. On lightly aged and spotted mount.

Dimensions of print roughly 13 x 17.5 cm. On original grey paper windowpane mount (22 x 28.5 cm). Engraved label (3 x 12.5 cm) beneath the print, with small remarque-style Dimensions of print roughly 20 x 14.5 cm. On original grey paper windowpane mount (34 x 24 cm). Engraved label (5 x 19 cm) beneath the print. Worn and discoloured. An usual and attractive item, with a simple picture of a pear which transforms into a portrait of the royal couple, under drapes, when held up to the light.

Printed on one side of a piece of wove paper roughly 230 x 90 mm. On pitted, aged paper. Text complete. Approximate 30 x 50 mm piece torn away from top right-hand corner, causing loss to small illustration at head, which appears to be a crude woodcut of a woman lying in a coffin. The poem consists of thirty-six lines arranged in five stanzas. The first stanza reads 'Dear Peggy, read this letter, | its the last one I'll send, | Our long correspondence, | is now at an end.

On one side of a piece of thin wove paper, roughly 260 x 95 mm. Aged and creased, with internal 25 mm closed tear affecting four words of text (all of which can be completed from the context) repaired on blank reverse with archival tape. Otherwise text and illustration clear and entire. Small (30 x 40 mm) woodcut at head, showing two early nineteenth-century country coves outside a cottage. The poem consists of ten four-line stanzas.