artist

One page, 16mo. Good. Six lines. He may be 'giving some lectures in London shortly'. 'If I could make it worth my while to deliver them at some of the leading provincial towns, I might possibly arrange to do so. Therefore any information you could give me on the subject, I should be only too happy to have'.

One page, 8vo, minor defects, text clear and complete, except were a spike-hole cuts out a letter. He enjoyed looking through Ellis's catalogue but "I regret the names of Stothard and Blake do not occur more frequently - I beg to enclose a list of a few works I am seeking and shall feel greatly obliged if by any means you could procure them for me." Note: He formed a large collection of engravings after the works of Thomas Stothard, R.A., and prepared, in conjunction with Mr.

Two pages, 12mo. On gray paper. Good, though lightly ruckled and aged. He thanks her for the 'information about the silk', and accepts her invitation. He haad intended to call on her the day before, but was prevented by the weather.

On wove paper roughly eleven inches by seven and three-quarters; dimensions of print roughly seven inches by four and a half. Image clear and unaffected, on paper aged and creased, with some staining to extremities. Smith's monogram in bottom left-hand corner. The figure is formally dressed, in frock-coat and stockings, with his hat tucked under his left arm. Clearly a portrait, but of whom is uncertain: it is not among the six works by Smith catalogued by the National Portrait Gallery. A charming evocation of print culture in the early part of the nineteenth century.

Beautifully printed bifolium on thick wove paper. Dimensions of leaf roughly thirteen inches by ten; dimensions of illustration roughly nine and a half inches by eight. Tissue guard. Recto of first leaf and verso of second blank. Letterpress on verso of first leaf reads 'Fernand De Nobele, libraire pres St-Germain-des-Pres, vous adresse ses meilleurs voeux pour l'annee 1969. | [L'abbaye en 1368]'. Illustration signed at foot 'Josephine Beaudouin', with the limitation '190/200'. For De Nobele - President of ILAB between 1965 and 1967 - see Anthony Rota's 'Books in the Blood' (2002).

Good to very good, sl. chipped dj, in plain slipcase, INSCRIBED by Nolde"Aus Herrn Granville dies Kleine Lebensbilds von Emil Nolde mit [?] Neujahr[?]". ALSO ENCLOSED: Typed Letter Signed, Nolde to Granville, Seebull, 8 Jan. 1949, in German, one page, folio, in which he says (rough translation): "A small book called 'My own Life' is finished in its second extended edition. I'll send it to you. It deals with my early childhood years, which surely are of some interest to you. Three further ones were written but it takes a lot of effort to overcome the difficulties of publication.

On India paper roughly three and a half inches by six and a half wide, mounted on a thick piece of wove paper ten inches by fourteen and a half. Cooke's name is engraved on the illustration, and printed on the mount are the title, Lewis's name and a double ruled border. Good clear impression. The mount is a tad grubby, with foxing to the extremities. Atmospheric representation of a populated pier snaking to the left, with a number of sailing ships and a row boat taking advantage of the low tide nearby. No reference found.

One page, quarto. On lightly creased, aged paper with a few closed tears. Rust marks from paperclip at head. Reads 'Il triangolo della perfezione arte scienza ad amore | [signed] F Matania'.

Dimensions of print roughly ten inches by six and a half wide. Mounted on a slightly larger piece of laid paper. Rubbed, worn and heavily aged, with small wormhole at foot. Ornate tomb with sphinxes, ivy, masks, palette, laurel wreath, etc. Central head and shoulders image of Carracci, above caption 'ANNIBALI CARRACCIO BONON. AETATIS SVAE ANN.XLIX Romae MDCXLVI'. 'A. Del.' in bottom left-hand corner. This is NOT the engraving by Pietro Aquila, after Carlo Maratta, in Aquila's 'Galeriae Farnesianae Icones' (1674).

Postcard with painting of Rialto Bridge by Canaletto. Postmarked 1970. Ruckled with damp but entirely legible. An amusing communication, beginning 'Thought I would let you know that we were not involved in the great tornado that sunk a voporetto [sic] on Lirica 4, and that the Hotel alla Fava is still very comfortable.' Refers to the Lambs' 'self-contained eyrie' and 'the weak fast coffee which tastes of mud; but clearly and obviously isn't'.

Two pages, 12mo. Very good on aged paper, with small closed tear at head not affecting text. Appears to concern an exhibition of women painters. Wants to 'personally thank' her for 'the privilege of having seen the International & in particular, your charming pictures. 'Early Morning' has quite carried away my heart! But the others are very fine. it must be so difficult, & so interesting to paint grey darkness. [...] Nothing of Miss Lister's there having in my opinion come up to her 'Builth Bridge' which we have. [...] Next to it I like 'A lonely Tree'.

Three pages, small octavo. Good, though a little aged. He is having an exhibition of his 'new Mexican things [...] and teaching a small class' in Savannah. He is pleased that Woodward is going to Chapel Hill ('They need a breath of fresh air.'). The rest of the letter consists of an interesting assessment of the artistic situation in the area, beginning, 'In N.

The collection is in very good condition, with a few staple and pin holes. Gray's letters are signed 'Milner Gray' and occasionally 'Milner'. All but the first two, which are on Society of Industrial Artists letterheads, are on Design Research Unit letterheads. An early letter (5 April 1949), to Kenneth Luckhurst, Secretary, Royal Society of Arts, apologises for and explains a 'difficulty' which has arisen 'over the fees we estimated for completing the necessary working drawings and supervising construction of the permanent display screens for the Society's headquarters'.

Artist and astronomer (1802-1866). One page, bottom edge curled but text clear and complete. He is sending two "tableaux which Charadam had seen at his house. He would like him to display them that evening "ayant l'intention de les envoyer a un exposition [?] a Amsterdam . . .".

Artist and illustrator. Two pages, minor defects, mainly good. He thanks him for a letter and cheque for thirty guneas. "I shall be most delighted to see your Morocco sketches, they must be most interesting." He'll call by the next week and appreciates his kindness in offering one of the sketches. Note: autograph letters by Brangwyn appear to be scarce.

English Camden Town Group Painter (1878-1914). Dimensions seven inches by ten inches. Grubby, but in good condition. From the Mark Bonham Carter collection. Captioned 'Spencer Gore | Freddy', with an arrow pointing to impressionistic representation of figure, nine inches high, of the artist in a suit, with high-collared shirt, holding a palette in his left hand and with his right hand outstretched and painting onto a canvas. Around the figure dabs of watercolour and a representation of a foot. Crude drawing of seascape on reverse. Together with scrap of paper reading 'MR.

Wood-engraver, illustrator, painter. Two pages, 4to, with woodcut of house in heading. He has just returned from a caravan "where I have been painting. April showers may bring forth May flowers but the watercolour painter must be very wary. He had heard that he had two paintings at the RA but had missed the varnishing day "on which artists have the opportunity to meet. Several of our R.W.S. numbers are well-represented. Your letter to Mr Carter has already I am glad to hear borne fruit in the 'Daily Mail'.

Printed address, headed notepaper. Two pages, 8vo, good condition. Russell Flint is responding to a letter from Mackenzie (attached, copy Typed Letter, one page, 4to, 26 April 1949- saying that he (Mackenzie) has circularised friends in the Press asking them to urge readers to buy water-colours as "a jolly good investment". Mackenzie also comments on the neglect of the teaching of water-colour painting in the schools, and its consequences. Russell Flint approves and has wanted to meet up but been busy with the RA Private View et al.

English artist (1890-1978). His wife, Yvonne Kapp, published four novels under the pseudonym Yvonne Cloud. One page, octavo. Very good, though a little creased and with dogeared corners. Reads 'Dear Mr. Wilson, | It is good of you to have taken so much trouble - I am greatly obliged to you. The lists have gone off to Berlin to-day. | All my thanks - & good wishes for a restful holiday'. Signed 'Edmond X. Kapp'.

The title "Ghouls Jan 25" appears at the bottom and Furse's name and a date in the 1920s appears in the right-hand margin. Size circa 21 x 35cms, small tear on left, some creasing, mainly good condition, laid down on same-size paper. On the tombstone (blank in the middle until written in), the artist has inscribed his name in pencil over the final part of a faintly written (but mainly decipherable) menu which starts with "Hors d'oeuvres" and goes through fish, meat and icecream dishes. The inscription is as follows: "to my friend H. Brabazon. / Charles W. Furse".

English artist (1809-42). One page, quarto, with the second leaf of the bifoliate bearing the address ('To | William Haines Esqr.. | Sol[icito]r. | Cannon Street | Birmingham'), with the remains of a red wax seal, and two postmarks. Discoloured, and with damp stains causing discoloration and damage to the paper, but not affecting the legibility of the text. Small spike hole through both leaves, not affecting text. Having been 'from home yestereday on a painting expidition' he could not acknowledge Haines' letter sooner.

Denham was an artist (exhibited 1796-1858) and Wyatville (1766-1840) the architect best known for his transformation of Windsor Castle. Paper dimensions roughly four and a quarter inches by two and a half. Good. From a collection of material relating to the Artists' General Benevolent Fund. Reads '- J. C. Denham | 73 Pall Mall | J Wyatville', and on reverse, '<...> is, that I am now much <...> of my apartment, and of whic <...> help, from your <?> <...> most distressing kind - <...> every power, to obtain <...>, which, I am now down <...>'.

(Tenniel) artist and cartoonist (18201914). Green has been asked by Tenniel, to write on his behalf. He explains that Tenniel is now blind and infirm. He [passses on the opinion that the artists their correspondent has named "all stood out in thier respective spheres, and were among the cleverest black & white artists of the century in their particular styles".

English artist (1840-1920). Two pages, 12mo. Good, but with closed tear at head unobtrusively repaired with archival tape, and some spotting. In stamped envelope addressed in autograph and with postmark. 'I shall be pleased to come & see your pupils work on Wednesday June the 1st but shall not be able to reach there before 2.45 I regret to say. | With kind regards | Yours very truly | [signed] Briton Riviere'.

English painter (1880-1952) and member of the International Socialist Organization. All items in good condition, though variously grubby or discoloured with age, lightly creased or with pin holes to corners. All items signed either 'T C Dugdale' or 'T. C. Dugdale'. Several items docketed and/or bearing the Society's stamp. LETTER ONE (typed, 23 June 1925, one page, 12mo, on letterhead '9 AVENUE STUDIOS, 76 FULHAM ROAD, LONDON, S.W.3.'): He hopes to 'be able to accept your invitation to act as Judge in the same section as last year'. Asks for the date.

`No. 1164 of 3000 copies. Soft cover, c.12 x 12", one or two small spots, mainly very good. INSCRIBED by Vicari: "For Ian Jenkins / with high regard & deep admiration / A bientot. / Andrew Vicari / Monaco. 24.I.82."

Painter and art historian (1918-91). The two items are both very good, attached to one another by a staple in a corner. The copy of Samson's letter (one page quarto, very good, on yellow paper) explains that the Society is 'endeavouring to arrange a course of three Cantor Lectures next Spring on modern philosophies - art, architecture and music', and invites him to deliver the first of these. Gives details of the fee, dates, etc. Gowing's letter: one page, octavo. 'I am honoured by your invitation to give the first of the Cantor Lectures next year. But I must refuse it - I'm very sorry.

British artist (1840-1916). One page, 12mo. Folded twice. Very good, on somewhat discoloured paper with crease to one corner. Reads 'I return you the cards signed. I regret I cannot do a sketch as it has rained requests of a similar nature this Xmas & I am now obliged to refuse with many thanks for all your good wishes'. Signed 'James Linton'.

Artist. Portion of letter, c. 3 x 1", stained from laying down especially verso, saying: "am my dear John / Faithfully yours/ WP Frith".

Two pages, 8vo, browned and with tear at fold, but text clear and complete. He describes how someone called to ask him to buy benefit tickets for a charitable purpose. He declined on principle, but noticed later an address and decided to write to that address to explain that he would wish to help anyone in whom his correspondent took an interest. He encouraged another visit from the original agent. [Presumably the fact that Ross (DNB) was a fellow-artist influenced his course of action.]